Category Archives: Music

Stuff Riffmaster Knows: The Beatles & Their Gear

Riff Banner28127_10150190489000591_536200590_12508602_5992375_nI’ve been playing in a rock and roll band with Riffmaster Peter Van Wagner since the very early 1980’s. Not only is Pete a gifted shredder of the Fender Stratocaster, he knows more about rock and roll than it’s probably healthy to know. Especially where it concerns The Beatles — who, Pete will happily tell you, he actually saw live at Shea Stadium. (Pete was also at Woodstock. Yeah. That Woodstock.)

Young Riffmaster with axe.

Young Riffmaster with axe.

Over the years, my band mates have exchanged thousands of Emails in an informative and entertaining chain of rock trivia, history and lore that is sometimes staggering in its detail. Never more so than when our own guitar hero, Riffmaster Pete Van Wagner, drills down into the details of the equipment used by The Fab Four.

What follows is an Email that Riffmaster recently sent. Riff’s response was prompted by a photo of The Beatles in the studio, Emailed to the band by our brilliant drummer, Rockin’ Ronny Crawford.

From the Riffmaster:

What’s got me going a little bit crazy is the tan Vox amps in the September 1962 Black Eye studio photos. Prices for these amps have gone through the roof on the vintage market. But what’s the story with The Beatles’ tan Vox amps? I’ve always seen them with black Vox amps. When I first saw these photos I thought that maybe the amps were Abbey Road studio amps.

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In earlier 1962 photos The Beatles are seen at the Cavern playing Gibson and Fender tweed amps.

This is April ’62:

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That’s George’s Gibson GA-40 amp on the left behind John. That’s John’s Fender Deluxe amp on the right behind Paul. That’s Pete on the drums.  Also note John’s Rickenbacker guitar, that he bought in Hamburg, is still it’s original Natural tan color.  More on this later.

But here they are at band practice at the Cavern with Ringo in August. Pete’s out, Ringo’s in. The old Fender and Gibson amps are gone and the tan Vox amps are in. Hmmm. So I guess they are The Beatles’ amps, not Abbey Road’s.

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Here they are at the Cavern not long after the September recording session. Black Vox amps. Also shirts, vests and ties.  Brian Epstein’s been here. Note Ringo’s drum head still reading “Ringo Starr.” My brain is starting to hurt. The happy faces indicate how happy the Boys were with their free new Vox amps — and with Ringo Starr on skins.

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Luckily I have the book, The Beatles Gear.  Hopefully I’ll find answers there.

Here’s the story:

d1343f6b36d6a7d549fb9996a2adad91The Beatles came into EMI’s Abbey Road studios to record “Love Me Do” and three other tunes using their old Gibson, Fender and Paul’s TruVoice amp with what’s been called a coffin speaker cabinet. The TruVoice hummed a lot and the other amps weren’t much better. George Martin told Brian Epstein that The Beatles would need professional gear if they were going to continue to be recording artists. George also told Brian at this time that for the next session he, George, would provide a drummer as Pete wasn’t up to the task.  

Brian went out to buy new amplifiers but was told that the Beatles still owed money for the TruVoice amp.  Brian payed off the Beatles’ unpaid loans to Hessy’s Music shop in Liverpool and bought the tan Vox amps for George and John.  Paul continued to use the Coffin speaker cab (on the far right in the picture above) with an unknown amp powering it.  Hessy’s suggested to Brian the he contact Vox and try to work out a deal with Vox direct.  Brian did and was given the black Vox AC30 amps in exchange for free use of The Beatles in any Vox promotion.  And so it was that The Beatles were given free Vox amps for their entire career and Vox got to use the Beatles as free endorsers for years to come.

Note below: John’s Rickenbacker has now been refinished in black.

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Shea Stadium 1966.  Their last tour.  I’m sitting over on the first base line with my cousin Michelle.

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Father & Daughter On The Mother Road

66banner166banner266banner3If you ever plan to motor west,

Travel my way — take the highway that’s the best.

Get your kicks on Route 66.

66-1When my daughter Emilia and I made our plan to motor west from Chicago to Los Angeles over the course of two marathon days in May, it was her desire that we get our California-bound kicks on that legendary highway — Route 66.

Well, it winds from Chicago to LA,

More than 2,000 miles all the way.

Get your kicks on Route 66.

I’d first driven the 2,150 miles from Chicago to LA – south on I-55 and west on I-40 along the path of the old U.S. Route 66 – back in 1991 when I planted my flag in Southern California to stake a claim in the television biz. Now, nearly a quarter of a century later, I was winding my way from Chicago to the west coast with the girl whose birth in ‘91 was one of the primary catalysts for our relocation to more lucrative employment in Hollywood.

66-24Emilia was gung-ho for the trip, eager to check off each of the ten cities listed in songwriter Bobby Troup’s much-covered classic. Troup wrote the song in 1946 on his own journey toward a career in the western Mecca of the entertainment business — immortalizing an itinerary of stops along The Mother Road, spanning the western two-thirds of America from the Windy City to the City of Angels.

Now you go through Saint Louis

Joplin, Missouri,

Oklahoma City is mighty pretty.

66-29You’ll see Amarillo,

Gallup, New Mexico,

Flagstaff, Arizona.

Don’t forget Winona,

Kingman, Barstow, San Bernardino.

Nearly 70 years ago, when Bobby Troup made his pilgrim’s progress westward, the Main Street of America was just a series of two-lane blacktops: various State Routes snaking their way through the heart of each of the municipalities mentioned in Troup’s celebrated, syncopated lyrics. As postwar traffic along Route 66 increased and peaked over the following decades, the towns it traversed adapted and grew to meet the demands of highway travelers.

66-12aIn the years after President Eisenhower launched construction of the Interstate Highway System in 1956, the wide concrete belts of I-55 and I-40 mostly skirted the various city centers, bypassing many of the roads that had made up old Route 66. And while the driving time from Chicago to LA was reduced dramatically – so, too, was the colorful, unique local character of the Route 66 experience.

66-18You can still find original sections of the Mother Road – many of them just off an exit, running parallel to Ike’s great Interstates — the old motels, restaurants, gas stations, and roadside attractions in varying degrees of dilapidation, dowdiness and decay. Yet, some towns have managed to maintain carefully preserved stretches of old Route 66, doing a brisk trade in food, fuel, lodging, and nostalgia.

Won’t you get hip to this timely tip?

When you make that California trip

Get your kicks on Route 66.

As we set out from Chicago,geocaching_desktop_by_dusterbed_zps0ca7e9ed Emilia put just one other item on our two-day road agenda: geocaching. You may not know this, but millions of people around the world have hidden even more millions of small treasures called “geocaches” in interesting locations across the globe — challenging fellow geocache enthusiasts to find them, armed only with a set of GPS coordinates. Emilia was determined to find at least one geocache in every state along the way in which she hadn’t already logged a find. So I knew we’d be poking around odd corners just off the highway in Oklahoma, Texas, New Mexico and Arizona.

Now you go through Saint Louis…

66-8The drive south along I-55 through the prairie and farmlands of Illinois toward St. Louis is long, flat and straight. There are few curves in the road and even fewer hills. We made good time through the Land of Lincoln, our progress interrupted only once – when a sudden cloudburst drenched the highway in sheets of rain through which we couldn’t see more than 10 feet ahead. Luckily, the downpour ended as quickly as it began, and we rolled into St. Louis, Missouri under blue skies.

Sighting The Gateway Arch which dominates the St. Louis skyline, we exited I-55 to take the first of our selfies to commemorate our arrival in each town name-dropped by Bobby Troup.66-4a

Joplin, Missouri…

66-6aThere’s not much to say about our Joplin experience as it’s one of those towns that have been bypassed by Ike’s Interstate. Thus, what we saw of Joplin was similar to what we passed driving through lots of communities along the modern Mother Road: franchise restaurants, sequences of tacky roadside signs extolling the virtues of various upcoming gift-cheese-fireworks-souvenir-gun-knife-Indian trinket shops, and truck stops like Mother’s – where we paused to look for a CD of “Cracked Rear View” by Hootie & The Blowfish – and actually found it!

Oklahoma City is mighty pretty…66-10a

66-8aIf Oklahoma City is pretty at all, we couldn’t tell. Emilia was at the wheel and the weather turned foul as we made our way through OKC. Rain fell from the cloud-darkened sky, illuminated by sudden flashes of lightning and the sound of distant thunder that doubtless gave the city’s NBA team its name. Emilia did a great job negotiating the heaviest stretch of traffic we saw on the trip – and the weather broke just long enough for us to collect our selfie.

66-7And now that we were in Oklahoma, it was time to find our first geocache – which Emilia located near the parking lot of one of those ubiquitous truck stops. We grabbed a fast food dinner, I went back behind the wheel, and we listened to the Houston Rockets regain some measure of respect in Game 4 of the Western Conference Finals against the Golden State Warriors.

You’ll see Amarillo… 

It was near midnight when we pulled into the parking lot of the Holiday Inn Express in Amarillo, Texas – after driving more than 1,000 miles during our first day. We grabbed five hours worth of sleep in a couple of very comfy beds – then got back on the road by 6:00 AM the next morning.

66-11aWe took our Amarillo selfie – and before long, Emilia found her Texas geocache. Those were the two highlights of our rather dull, flat, straight drive across the windswept Texas panhandle, marked by herds of cud-chewing cows and farmlands that extended far into the horizon without a hint of a hill to be had. Luckily, the speed limit for most of I-40 in Texas is 75 MPH – and I took every advantage of the opportunity to race through Ted Cruz’ state just as fast as we (legally) could.

Gallup, New Mexico…66-13a

66-14aAs we crossed from Texas into New Mexico, the landscape soon developed new contours: hills, then bluffs, then dramatic red rock mesas. The chaparral was still quite green and the combination of brilliant blue sky, white clouds, red rock and mountain greenery were a joy to behold.

66-15We scored our New Mexico cache at another truck stop.

This time, I was the one who discovered the tiny two-inch long aluminum tube, dangling from a thin chain into a hole in the ground next to a weathered wooden post holding up what was left of a battered old sign.

Flagstaff, Arizona…

Our family has been to Flagstaff before (and to nearby, magical Sedona) on a family vacation to the Grand Canyon.

66-16aEmilia was about 7 years old at the time, but the week we spent exploring this part of Arizona made a deep impression. And speaking of deep impressions, Emilia and I could drive past the famous Meteor Crater just east of Flagstaff because we’d already seen that prehistoric wonder.

66-19We turned off the road to get a snack, refuel and find Emilia’s fourth hidden geocache.

I was glad that the geocaching phase of our expedition was a success — and that my daughter could now log onto the Geocaching website and earn a badge for each of the four new states in which she found a cache — but I must admit that I was in a hurry to get to Williams, Arizona, just 35 miles west of Flagstaff on I-40.

Bobby Troup didn’t put Williams, Arizona in his song, but it’s a “don’t miss” destination for those seeking retro Route 66 ambience.

66-25Since we left Chicago, as we passed various Route 66 highway signs along the road, I’d been telling Emilia that we’d have an ample opportunity to score the mother load of Mother Road signs when we got to Williams, AZ. And we were not disappointed.

The last town bypassed by 1-40, Williams has preserved more than vintage signs. It boasts a town center featuring a half-dozen blocks of restored Route 66-era buildings facing an original stretch of the pre-Interstate road. The local shopkeepers – mostly mom and pop’s — trade on the look and flavor of the 1930’s, 40’s and 50’s. Here, you can get a sense of how it might have been to journey westward through the heart of such towns rather than whizzing passing them at 75 miles an hour.66-26

66-27Williams has a special relationship to Route 66 and I-40. In fact, it was the last town to have its section of Route 66 bypassed. But the people of Williams didn’t give in to President Eisenhower’s great highway project without a fight. Their lawsuits held up the last section of I-40 for nearly three decades until a settlement gave Williams three highway exits: an outsized number given the town’s modest size. Williams was finally bypassed on October 13, 1984 – 15 years after Ike passed away. The next year, Route 66 was officially decommissioned. From then on, the Mother Road existed only in memory, legend and song.

66-15aDon’t forget Winona…

Oh, yeah. Here’s another timely tip. Winona, Arizona actually comes before Flagstaff when you’re driving west. A songwriter like Bobby Troup can be granted poetic license, but he disqualifies himself as a navigator. When Emilia and I took our required selfie we were still 15 miles east of Flagstaff.

Kingman…

66-20There was still plenty of sunlight left as we descended more than 3,200 feet in elevation over the 115 miles of 1-40 from Williams to Kingman, Arizona. We were driving hard for California at this point – and Game Four of the NBA Eastern Conference Finals would be on the radio soon – so, we only spent enough time in Kingman to gas up, get a bite, and try to dial up the Cavaliers versus the Hawks. I’m a Clevelander born and raised. Listening to LeBron James and the Cavs close out the Atlanta Hawks would be an ideal end to this adventure.66-17a

66-19aBarstow…

At first, as we burned up the high desert miles toward San Berdoo, our radio delivered a strong AM signal – and the Cavs were beating the Hawks handily. But there’s not much in the way of civilization between Kingman and San Bernardino (though we did stop in Barstow, CA for our requisite selfie) and as the sun went down, so did our radio station signal. At times we abandoned the faint, faltering, static-strangled broadcast and Emilia read the play-by-play on her NBA Gametime app.

San Bernardino…

UnknownIt was around 10:00 PM when we drove past San Bernardino in the heaviest traffic we’d seen since Oklahoma. It wasn’t easy to find a safe location for our selfie, so Emilia and I agreed to settle for a shot taken through the car window as we continued homeward.

The local Los Angeles area sports talk radio channels were starting to come in loud and clear – and while my legs were cramping after long hours of driving, listening to excited post-game discussion of the Cavs’ victory gave me all the fuel I needed to power through the last stretches of the 10 and the 101 freeways.66-18a

My daughter and I had traveled Route 66, covering more than 2,000 miles in less than two days. We touched base in every city in the song – and found a geocache in every state we needed to find one. We listened to two great basketball games on the radio and played “Cracked Rear View” and John Fogerty’s “Revival” several times.66-3

We got to know the country a little better along the way – and we also got to know each other better.

It was, as Bobby Troup would say, a kick.

Now, sing along with Emilia and me:

760272Won’t you get hip to this timely tip?

When you make that California trip

Get your kicks on Route 66.

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The Place To Be With Eva B…

Our musical daughter Eva will be playing with her tight and terrific band, the Eva B. Ross Foundation, on Saturday, April 4th at a club called TRiP in Santa Monica. This is going to be a very special event.

There will be a wealth of great music: rock, jazz, blues and folk. Originals and classics.

Besides Eva and her soulful, talented trio (David Miller on guitar, Jules Levy on standup bass and Liam Kevany on drums), the bill will also feature two great up and coming local bands, Loop Garou and We The Folk.

For more information click right here.

TRiP Santa Monica is located at 2101 Lincoln Blvd. Tickets are $8 at the door. Celebrate the arrival of Spring with music, song and dancing!

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Ms. Maura’s Latest…

Here’s the very latest from my very talented daughter Maura…

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Wink Martindale’s Tribute to Glen Campbell

10858005_1653076308252822_5840352685461995880_n

I love Glen Campbell — and so does legendary radio Dee-jay and TV host Wink Martindale.

Wink knew Glen very well.

Here’s Wink’s recent tribute to the guitar-shredding troubadour of Delight, Arkansas.

Take a listen.

https://www.dropbox.com/s/yvn9k6wf88t9fn6/Glen.mp3

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A Musical Tribute to Memphis.

Screen Shot 2014-10-28 at 12.06.58 AMMemphis, Tennessee is the birthplace of rock and roll. It’s where the King of Rock & Roll lived and died. It’s where the Delta blues stopped for a drink on Beale Street before heading up to Chicago. And it’s where my late brother Peter managed the city’s finest luxury hotel, The Peabody. So, let’s celebrate Memphis in song…

1. Long Way from Memphis (The Automatics)

This cut is by a band of English ex-pats living in Los Angeles. The drummer (Paul Crowder) is friend of mine. He’s also a great video editor. I met him while working on “Behind The Music”. Saw him and the band play live at a club in Los Angeles and they opened with this fine rock & roll tune – which includes an Elvis sighting in Kalamazoo.

2. All the Way to Memphis (Mott the Hoople)

Mott the Hoople - MottFor years I loved this song – but I had no idea what Ian Hunter was singing about. The song was my favorite on the 1973 album “Mott”, which was the follow-up to “All The Young Dudes.” Listening to the song over and over, I can now tell that it’s about Hunter losing a guitar and having a hard time getting it returned to him. Never knew there was an Oriole, Kentucky – but it’s lucky for Ian, because Oriole rhymes with Rock & Roll if you pronounce it that way. The song’s best line? “It’s a mighty long way down rock ‘n’ roll, from the Liverpool docks to the Hollywood Bowl.”

3. I’ve Been to Memphis (Lyle Lovett)

Of course Lyle Lovett’s been to Memphis. This song, like so many songs with a Memphis connection, mentions a lot of other towns – and women – along the way. I love the honky-tonk feel of this one.

4. Memphis In the Meantime (John Hiatt)

Screen Shot 2014-10-28 at 12.09.23 AMJohn Hiatt ditches Nashville so he and his lady can “get good and greasy” in Memphis. The band on this track is an all-star group: Hiatt (acoustic guitar), Ry Cooder (electric guitar), Nick Lowe (bass) and Jim Keltner (drums). Nice company, huh? Ronnie Milsap, it’s your loss.

5. Graceland (Paul Simon)

While John Hiatt goes to Memphis to enjoy the down and dirty rhythm and blues with some boozy babe, Paul Simon is traveling on a pilgrimage seeking benediction and redemption. The title track of one of Simon’s greatest albums, it has some of his finest lyrics – and Simon nails the allure and power of Memphis and The King’s mansion. I have just one quibble with Simon. The Mississippi delta can surely shine like a National guitar – but it’s not “the cradle of the Civil War.” That infamy belongs to South Carolina. Just ask General Sherman’s troops.

6. I’m Going to Memphis (Johnny Cash)

The Man in Black got his start in Memphis with Sam Phillips and Sun Records: part of the Million Dollar Quartet of Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash. In this song, credited to Alan Lomax and associated with Memphis Slim, Johnny is journeying to Memphis to see and do a lot of strange things. I don’t think Johnny’s on the same holy pilgrimage that Paul Simon is going on.

7. Going Back to Memphis (The Levon Helm Band)

Levon_Helm_1Levon Helm and his band are having a great time on this rollicking, rocking track.

The whole thing is a party, led by Levon at his gravelly best.

One of rock and roll’s best examples of a guy who can lead a band from behind his drum kit, Levon takes another journey through song to the great musical Mecca on the Mississippi.

8. Memphis (Chuck Berry)

“Long-distance information, get me Memphis, Tennessee.” Thus, Chuck Berry begins one of the most oft-covered tunes ever written about Memphis. Chuck says he recorded this one at his office in St. Louis on an $80 Sears Roebuck reel-to-reel. (Although $80 was a lot of money in those days.) With its surprise ending, in which we learn that “Marie is only 6-years old,” this is one of those perfect rock and roll songs that Chuck Berry churned out so magically in the 1950’s. It’s another reason we’re all Chuck’s children.

9. Guitar Man (Elvis Presley)

Elvis Guitar ManThis is a great comeback Elvis track, proving that the King of Rock & Roll had survived Hollywood and emerged with his voice and flawless sense of rhythm and dynamics intact. Jerry Reed, who wrote the song (and could also play guitar like a-ringin’ a bell) had a minor hit with the tune in 1967 — but Elvis’ cover (with Reed on guitar) became a chart topper. Recorded in Nashville in the late 1960’s, it was re-remixed and re-released four years after The King’s death, scoring him a posthumous #1 hit on the country charts in 1981.

Here’s a clip from the ’68 Comeback Special. There’s some fun stuff at the top, then Elvis tears into a bit of “Guitar Man”, proving he’s still the King of Rock & Roll.

10. Johnny Bye-Bye (Bruce Springsteen)

bruce-bye byeIn this short, dark and complex song, Bruce ties Elvis Presley and Chuck Berry together. The Boss starts out with the opening lyrics of Chuck’s “Bye Bye Johnny,” (“She drew out all her money from the Southern Trust, and put her little boy aboard a Greyhound bus”) then pivots to a meditation on the death of Elvis, from his rise to stardom (“Leaving Memphis with a guitar in his hand, a one-way ticket to the promised land”) to his death at Graceland (“They found him slumped up against the drain, a whole lot of trouble running through his veins”).

11. King’s Call (Phil Lynott)

Another musical meditation on the death of Elvis Presley: this one’s a deeply personal tribute by Thin Lizzy’s lead singer, Phil Lynott – who also died tragically young, passing away at the age of 36 in 1986. “King’s Call” is a track from Lynott’s first solo album – and if the guitar playing sounds familiar, that’s because Dire Straits’ Mark Knopfler sat in on guitar and backing vocals. I love this tune.

12. Memphis Monday Morning (Bobby “Blue” Bland)

BB BlandAs Phil Lynott sang in the previous track, “It was a rainy night, the night The King went down.” So perhaps Mr. Bobby Blue Bland is singing about that very night, as he takes us through this jazzy, bluesy walk through the late night/early morning streets of Memphis. Along the way, he name checks my brother’s hotel and several other Memphis locations. The musicianship on this track is awesome: a little cool jazz mixed with the blues for all you classy cats.

13. Big Train (From Memphis) (John Fogerty)

Classof55The great John Fogerty’s tribute to Sam Phillips and Sun records is dominated by the train imagery evoked in so many songs from and about Memphis. (By the way, I had the honor of meeting Sam Phillips in the late 1990’s when I interviewed him for Rick Nelson: Behind The Music. We sat at the same Formica kitchen table in Sam’s Memphis house where he sat with Elvis when he told the future King of Rock & Roll that he was selling his contract to RCA. No brag, just fact.) This song was on Fogerty’s hit 1985 “comeback album” Centerfield, and was covered the next year by the living Sun Records legends: Johnny Cash, Jerry Lee Lewis, Carl Perkins and Roy Orbison. Alas, only The Killer is still with us at the age of 79.

14. Night Train To Memphis (Dean Martin)

DinoDino gets into some pre-rock & roll, country swing on this song, written by Beasley Smith, Marvin Hughes and Owen Bradley.

Somehow, Dean Martin makes everything he does sound groovy and utterly cool.

Given that Dean was one of Elvis’ biggest heroes – and that Elvis tried to emulate Dino’s sound – it’s only fitting that the King of Cool have his spot in this Memphis themed lineup.

15. Stuck Inside of Mobile With The Memphis Blues Again (Bob Dylan)

DylanIn this fabulous track from Blonde on Blonde, Dylan puts together perhaps the greatest word collage in the history of rock & roll. And among all those words, he keeps referring to “the Memphis blues”, which he obviously has again – though he (and Jerry Reed’s guitar man) are stuck in Mobile, Alabama at the time. If this song had been sung by Ian Hunter it would be completely incomprehensible, but Dylan makes the words quite clear even if the meaning is elusive. Who cares? It’s great. It rocks. And it’s the last tune on this tribute to Memphis, Tennessee – the birthplace of rock & roll.

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A “Lazy Saturday” with Ms. Maura!

Here’s a bit of delightful musical merriment from Ms. Maura  — my sweet, talented daughter!

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Rock & Roll Hall of Fame Class of 2015

RR Banner 2RR BannerI know there’s a lot going on right now in Iraq and Syria and the Ukraine and Gaza and Ferguson, Missouri – but there’s not much I can do about those intractable geopolitical situations. I’ll let prudent, deliberative President Obama and his national security team sort out America’s proper role in all that madness.

But there is one source of national shame and outrage that I must address here and now…

Tommy+James++The+Shondells+732311_356x237Why aren’t Tommy James & The Shondells in the Rock & Roll Hall of Fame?

I’m a Cleveland boy, and the Rock & Roll Hall of Fame is a shining jewel on our downtown lakefront — but that only makes such an injustice a more personal matter.

2014-rock-and-roll-hall-of-fame-ceremony-1024Tommy James & The Shondells have been waiting since 1991 to get that call from the Hall. For 23 years, they’ve had to endure the enshrinement of acts like Abba, Donna Summer and Madonna in an institution supposedly devoted to rock and roll – while the group that gave garage bands around the world rock classics like “Mony Mony” and “Hanky Panky” is continually and criminally passed over.

Tommy James GERHow can it be that slick, overproduced purveyors of disco and pop take precedence over the guys who put “I Think We’re Alone Now” and “Crimson and Clover” down on vinyl?

At this year’s Hall of Fame induction ceremony, Rage Against the Machine’s lead guitarist Tom Morello – a man whose shredding virtuosity and politics I admire – made a convincing case for why Kiss had a rightful place in the Rock Hall. But while Kiss may have blazed a trail for visual and musical bombast and pyro in arena rock – their sound and fury signify nothing like the string of hits that Tommy James and his band delivered in the late 1960s.

tommy-james-and-the-shondells-on-the-ed-sullivan-showBesides their two #1 hit single in the U.S. – “Hanky Panky” in ’66 and “Crimson and Clover” in ’69 — Tommy James & The Shondells charted twelve other Top 40 hits, including five in the top ten. Remember a platter entitled “Crystal Blue Persuasion”?

How about 14 Top 40 hits during the greatest period in rock and roll radio history? All while competing with The Beatles, The Rolling Stones, The Who, The Kinks, Creedence Clearwater Revival, James Brown, Sly & The Family Stone – and those Motown artists cranking out classics in Hitsville, USA.

All of those great rockers are in the Hall of Fame — so, why not Tommy James & The Shondells?

114774938And I don’t want to hear that Tommy James was “bubblegum”. Please. When was the last time you listened to “Mony Mony” or “Draggin the Line”? Guitars. Groove. Harmony. Drive. Horns. Hooks. Lots and lots of classic rock and roll hooks.

Tommy James & The Shondells should go into the Rock & Roll Hall of Fames very next class or the whole institution is a sham.

TommyJames2Honor Tommy James while the man is still alive and well and rocking.

I can wait no longer.

I’m just going to enshrine Tommy James & The Shondells here and now.

In fact…

I’m announcing The Rock & Roll Hall of Fame Class of 2015 (if there were any justice in this freaking world):

Tommy James & The Shondells — Eligible since 1991

Chicago — Eligible since 1994.

cover_3548181012011_rActually, the Chicago that most deserves to go into the Rock Hall is the first incarnation of Chicago. The first version of Chicago was the band that was politically progressive and rocked harder than the late 70s and 80’s version – before their bluesy lead guitarist, Terry Kath died in January 1978 from an accidentally self-inflicted gunshot wound. (Some say Russian roulette.)

That was the band that got me out to Blossom Music Center during my high school days to enjoy some of the first rock concerts I ever attended.

2013-1-30-terry_kath_3-533x402My favorite Chicago song during this period was “Dialogue (Part I & II) – a charged musical debate between a politically active guy (sung by Kath) and an apathetic college student (sung by Peter Cetera). Listening to that song now makes we weep for the current state of music on the radio. Remember that chorus? “We can make it happen…”

peter-cetera-64_smallAfter Kath died, Chicago lost currency with me because of the band’s over-reliance on Peter Cetera’s often-cheesy (but enormously popular) ballads.

The same thing happened to another Chicago band, Styx, when Dennis DeYoung’s ballads became hits – and smothered the rock in syrup. But the chicks dug it. And the arenas filled up.

Terry-Kath-ChicagoNo American band besides The Beach Boys had as many hit singles and albums on the Billboard charts as Chicago.

In fact, Chicago had more hit singles in the US during the 1970s than anyone else.

And they scored five #1 albums and 21 top-ten singles.

Put ‘dose Chicago boys in ‘da Hall.

The Doobie Brothers — Eligible since 1996:

the_doobie_brothersI remember with great humility the day in 1972 when my fellow Cleveland Central Catholic freshman (and soon to be band mate) Ed Dougan and I were discussing The Doobie Brother’s first big hit, “Listen to the Music”. I opined that The Doobie Brothers sounded like a one-hit-band to me.

For the next four years, The Doobie Brothers gave Eddie Dougan reason after reason to remind me how absolutely wrong I was – as songs like “Jesus is Just Alright”, “Long Train Running” and “China Grove” poured out of our radios and rocked up the charts, culminating in their inescapable, utterly sing-able #1 hit, “Black Water”.

22754_lgI graduated from high school in ’76. That same year, Michael McDonald became an official member of The Doobie Brothers – and led them to another string of soulful hits.

With McDonald singing lead, songs like “Takin’ It to the Streets” and “What a Fool Believes”, topped the charts in the US – and made Eddie Dougan smile once again, remembering what a fool I was.

Green Day — Eligible in 2014

Green Day should be first ballot Hall of Famers.greenday2_2319069b

If Green Day isn’t drummed into the Hall at its 2015 Induction Ceremony, then the whole building should just slink shamefully into Lake Erie.

e28880d04d9bbe6ae819a3f04dba1256-jpgLong before “American Idiot” exploded into the Zeitgeist, Billie Joe Armstrong, Mike Dirnt and Tre Cool had already established themselves as the primary punks of the new millennium.

Green Day has sold more than 75 million albums and singles worldwide. There’s no reason to wait.

Put those punks in the Hall.

If these next two deserving honorees continue to be snubbed by the Rock & Roll Hall of Fame – Southern Californians and fans of surf rock should get Eric Von Zipper to bust some heads.

Jan & Dean — Eligible since 1985

jan-deanWithout Jan and Dean there are no Beach Boys. It’s as simple as that. Beginning in the late 1950s, Jan Berry and Dean Torrence established much of what became the California surf rock sound, featuring big waves, hot rods, and girls, girls, girls.

Brian Wilson looked up to Jan – who was a studio production whiz kid – as a musical big brother. And that’s Dean’s falsetto on the Beach Boy’s party classic, “Barbara Ann”. (Carl Wilson says, “Thanks, Dean” at the end of the track.) Jan & Dean were cool. So cool they were chosen as the hosts of the legendary T.A.M.I. Show in 1964.

Jan BerrySadly, Jan & Dean’s hit-making ended in the spring of ’66 when Jan drove his Corvette into the back end of a parked gardener’s truck in Beverly Hills and sustained severe head injuries.

Shades of “Dead Man’s Curve”.

jan-and-dean-ride-the-wild-surf-1964-3From their first hit, “Jennie Lee” in ’58 to their last, “Popsicle” in ’66 – Jan & Dean charted 15 Top 40 hits, including 6 in the Top 10.

“Little Old Lady from Pasadena” went to #3 – and “Surf City” — the joyous anthem of surf rock — went all the way to #1 promising “two girls for every boy”.

Two girls for every boy? That’s reason enough to put Jan & Dean in the Rock & Roll Hall of Fame.

And do it while 74-year old Dean can still get onstage and sing.

Dick Dale — Eligible since 1987

properleftyDick Dale is the The King of the Surf Guitar. He pioneered the surf music style, experimenting with reverb – and worked with Leo Fender to push the limits of electric amplification. (Riffmaster Van Wagner owes Dick Dale an unpayable debt for producing “thick, clearly defined tones” at “previously undreamed-of volumes.”

And it wasn’t just upping the volume in rock and roll that makes Dick Dale Hall-worthy – it’s also his style and technique. Just spin “Let’s Go Trippin’” – often called the first surf rock song – or “Jungle Fever” or “Misirlou”.

Dick DaleDick Dale’s records may not have been big on the national charts – but their influence was both immediate and far-reaching.

Like Chuck Berry before him, generations of guitar shredders copied Dick Dale’s licks.

Dick-DaleYou can put him in as a performer or an early influence – or for lifetime achievement – but The King of the Surf Guitar should be enthroned in the Rock & Roll Hall of Fame.

And it should be done while Dick Dale can still perform — thrilling us with his pioneering sound.

The Monkees — Eligible since 1991

The-Monkees-the-monkees-29786398-886-960Not even gonna argue about this.

The Monkees should be in the Rock & Roll Hall of Fame. Hell, The Beatles respected The Monkees – so why should anyone else deny their undeniable greatness?

Morons who I have little patience for say The Monkees were a fabricated band – “The Pre-Fab Four” — surrounded by studio musicians. I know for a fact that The Beach Boys, The Mamas & The Papas, and others in the Hall of Fame were backed by the very same group of studio cats: the Wrecking Crew. So, what?

Hold on. I said I wasn’t gonna argue.

websbest060113_fullsize_story1At their peak in ‘67, The Monkees outsold The Beatles and Rolling Stones combined. 12 Top-40 hits, three #1 hits — and a TV show that brought melodic, witty, well-written and beautifully sung rock and roll music (and surprisingly subversive comedy) into homes across America.

The-Monkees-the-monkees-2846004-603-546I won’t even mention the songs by name. You know them. You sing them. You’ll probably hear one on the radio today.

Okay…

“Last Train to Clarksville,” “I’m a Believer,” “Daydream Believer,” “Pleasant Valley Sunday” and “(I’m Not Your) Steppin’ Stone”. That’s just five.

And now I’m really not gonna argue any more.

The Rock N Roll Trio — Eligible since 1981

115163945Johnny Burnette and the Rock & Roll Trio were the best damn rockabilly band that ever thumped a standup bass, whacked out the backbeat on a snare, and sang like drunken wildcats.

“Rock Billy Boogie”, “Rock Therapy”, “Train Kept A-Rollin”, “Honey Hush”, “Tear It Up” – Johnny Burnette and the Rock & Roll Trio served up fundamental, elemental, essential rock and roll.

20131210092007-burnette_jJohnny Burnette and the Rock & Roll Trio featured no frills, no gimmicks, no costumes, and no pyrotechnics — other than the fire they produced by their passionate playing.

Sorry, Kiss, this is rock and roll with real heart and soul.

I don’t give a damn what hits they had or where they charted.

When I need rock therapy. They give it to me.

They should be in the Rock & Roll Hall of Fame.

 

 

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Maura’s in a Musical! (And Other News)

495ff1a9-ec42-41a7-9851-1e6202501d55My daughter Maura will be appearing in the musical, Miz Bonnie’s Band, on June 15, 2014 at 5:00 PM in Hollywood, CA .

After a decade spent rocking and singing the blues in bands and in the recording studio, Maura is excited to return to the stage with the wonderful cast of Miz Bonnie’s Band — an original musical stage play about a little band with big issues.

ONE PERFORMANCE ONLY.

Bring your dads and make a Father’s Day event of it! Meet the Team. 

Click HERE to purchase tickets. $15 in advance — $20 at the door.

And that’s not all…94fc7730-aa6c-4d20-a6b4-a9c18a1475ab

FRIDAY, JUNE 13 @ 8 PM

Maura will be singing with Mitchell Storkington’s Funktastic Voyage at the C.I.A. in NoHo. Join Maura and the band for a night of music, macabre and mayhem! Click HERE for more info.

maura-murphy-barrosseMs. Maura’s been working on some new tunes and videos! More info coming on that soon. In the meantime, be sure to follow her on Facebook and Twitter to stay updated on all her fabulous adventures!

Ms. Maura’s music is available for streaming and purchase on Bandcamp, and iTunes, and your other favorite music services.

Spread the word!

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Eva & David at Molly Malone’s

mainheader1maxresdefaultGET YOUR TIX FOR THE GIG THIS FRIDAY!

Off_the_Record_Reprise_Eva_Barrosse_Davi_155677384_thumbnailMy daughter Eva Barrosse and her guitar-playing partner David Miller are playing their coolest gig yet at Molly Malone’s this Friday May 16 at 8:00 PM. Molly Malone’s has a 25-year tradition of showcasing the finest musical talent in the Los Angeles area – and the beat goes on…

safe_image.phpIf you haven’t seen Eva & David yet, don’t miss this chance to enjoy their hip, jazzy, bluesy mix of original songs and tunes from the Great American Songbook. It’s a 21+ venue, so leave the kids at home – and come for an evening of adult fun.

Tickets are $15 – and can be purchased via Email at: evadavidmusic@gmail.com 

(If clicking on the above link doesn’t work, just copy the Email address into your mailbox.) Email with the number of guests – and your tickets will be waiting for you at door. 

Victoria and I will be waiting to join you inside Molly Malone’s.

For directions to Molly Malone’s 
at 575 South Fairfax Ave
, click here.

event-poster-2591717

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