For tickets, go to: https://www.hotelcafe.com/tickets/?s=events_view&id=5806
See you there, folks!
For tickets, go to: https://www.hotelcafe.com/tickets/?s=events_view&id=5806
See you there, folks!
Save the date, folks: December 10, 2016!
Those of you who have heard my daughter Maura sing know that she’s got a soulful, bluesy, powerhouse instrument. And now, she’s put together a talented band that compliments and amplifies her unique and groovy vocals.
Get ready for Ms. Maura & The Misters.
On Saturday, December 10, 2016, Ms. Maura & The Misters will make their public debut at Ms. Maura’s 1st Annual Holiday Happening at The Offbeat bar in Highland Park.
Ms. Maura & The Misters will be rocking original bluesy-funky-soulful tunes for hip, hot and happy holiday grooving.
There’s no better way to kick off the festive season than to party with Ms. Maura and her musical friends – including my youngest daughter and her band The Eva B. Ross Foundation.
Maura assures me that this is just the first event in Ms. Maura’s Swinging Shindigs quarterly kitschy party series.
She’ll also be celebrating the release of Ms. Maura & The Mister’s first single — an original holiday tune serenading the lack of snowmen in L.A.
Don your jingle bells and bring your friends to Ms. Maura’s 1st Annual Holiday Happening.
If you’re coming, let us know at this link.
6316 York Blvd, Los Angeles, CA 90042
There’s plenty of parking in the lot across the street.
On the Musical Menu:
Eva B. Ross Foundation – 8pm
Ms. Maura & The Misters – 9 pm
DJ spinning vintage soul – 10 pm
I’ve been playing in a rock and roll band with Riffmaster Peter Van Wagner since the very early 1980’s. Not only is Pete a gifted shredder of the Fender Stratocaster, he knows more about rock and roll than it’s probably healthy to know. Especially where it concerns The Beatles — who, Pete will happily tell you, he actually saw live at Shea Stadium. (Pete was also at Woodstock. Yeah. That Woodstock.)
Over the years, my band mates have exchanged thousands of Emails in an informative and entertaining chain of rock trivia, history and lore that is sometimes staggering in its detail. Never more so than when our own guitar hero, Riffmaster Pete Van Wagner, drills down into the details of the equipment used by The Fab Four.
What follows is an Email that Riffmaster recently sent. Riff’s response was prompted by a photo of The Beatles in the studio, Emailed to the band by our brilliant drummer, Rockin’ Ronny Crawford.
From the Riffmaster:
What’s got me going a little bit crazy is the tan Vox amps in the September 1962 Black Eye studio photos. Prices for these amps have gone through the roof on the vintage market. But what’s the story with The Beatles’ tan Vox amps? I’ve always seen them with black Vox amps. When I first saw these photos I thought that maybe the amps were Abbey Road studio amps.
In earlier 1962 photos The Beatles are seen at the Cavern playing Gibson and Fender tweed amps.
This is April ’62:
That’s George’s Gibson GA-40 amp on the left behind John. That’s John’s Fender Deluxe amp on the right behind Paul. That’s Pete on the drums. Also note John’s Rickenbacker guitar, that he bought in Hamburg, is still it’s original Natural tan color. More on this later.
But here they are at band practice at the Cavern with Ringo in August. Pete’s out, Ringo’s in. The old Fender and Gibson amps are gone and the tan Vox amps are in. Hmmm. So I guess they are The Beatles’ amps, not Abbey Road’s.
Here they are at the Cavern not long after the September recording session. Black Vox amps. Also shirts, vests and ties. Brian Epstein’s been here. Note Ringo’s drum head still reading “Ringo Starr.” My brain is starting to hurt. The happy faces indicate how happy the Boys were with their free new Vox amps — and with Ringo Starr on skins.
Luckily I have the book, The Beatles Gear. Hopefully I’ll find answers there.
Here’s the story:
The Beatles came into EMI’s Abbey Road studios to record “Love Me Do” and three other tunes using their old Gibson, Fender and Paul’s TruVoice amp with what’s been called a coffin speaker cabinet. The TruVoice hummed a lot and the other amps weren’t much better. George Martin told Brian Epstein that The Beatles would need professional gear if they were going to continue to be recording artists. George also told Brian at this time that for the next session he, George, would provide a drummer as Pete wasn’t up to the task.
Brian went out to buy new amplifiers but was told that the Beatles still owed money for the TruVoice amp. Brian payed off the Beatles’ unpaid loans to Hessy’s Music shop in Liverpool and bought the tan Vox amps for George and John. Paul continued to use the Coffin speaker cab (on the far right in the picture above) with an unknown amp powering it. Hessy’s suggested to Brian the he contact Vox and try to work out a deal with Vox direct. Brian did and was given the black Vox AC30 amps in exchange for free use of The Beatles in any Vox promotion. And so it was that The Beatles were given free Vox amps for their entire career and Vox got to use the Beatles as free endorsers for years to come.
Note below: John’s Rickenbacker has now been refinished in black.
Shea Stadium 1966. Their last tour. I’m sitting over on the first base line with my cousin Michelle.
2014 was the fifth year for this blog — and though I have to admit I was a relatively infrequent blogger this year — there were a handful of events I could not let pass without trying to say something. Most important was the loss of two iconic figures who granted me (and many others) the privilege of their invaluable friendship and mentorship. The passing of Sheldon Patinkin and Ray Shepardson made 2014 a year I will always remember.
Paul’s Voyage of Discovery & Etc. has attracted 189,401 viewers since it began — 24,929 in 2014. The busiest day of the year was September 21st with 505 views. The most viewed post that day was O Captain! My Comedy Captain! — my post on the passing of Sheldon Patinkin.
I continue to be honored that 179 subscribers have now signed on to have my posts automatically delivered to them via e-mail. (And 59 more who follow this blog on Twitter.)
Are you a subscriber?
If you’re not — then look to your right at the photo of the saluting Matey and follow the simple instructions to “Hop Aboard!”
What follows is a list of The Top Ten Most Popular Posts of 2014.
Just click on the title of each post to access the original article.
There’s nothing like a Top 10 list to promote discussion on a blog – and this December 5, 2011 post did just that. It’s one of the posts that has generated the most comments. A lot of people feel I’ve left one of their favorites off the list. Check it out – and then weigh in with your own opinion. Just realize that your opinion on rock & roll singing cannot possibly be as informed as my own.
I don’t know where my life would have gone if the great Sheldon Patinkin had not walked into a small storefront theatre on Howard Street in Evanston — and took my silliness seriously. Sheldon didn’t just change my life. He changed generations of lives. I will miss him every damn day. But, in essential ways, he will always be with me — and with all of the thousands of creative people whose lives he touched. (Posted on September 21, 2014.)
What a great book! What an amazing chapter of world history! On January 23, 2012, I wrote this review of a book that captures all the incredible heroism, good luck, and turns of fate that made this epic World War Two naval battle an overwhelming victory that turned the tide of the war against Imperial Japan. In 2013, I wrote another report on an excellent World War Two book, The Day of Battle, about the campaign to liberate Italy. A few weeks after I wrote that post, my family and I visited the American cemetery in Tuscany and paid our respects to the soldiers whose valor, sacrifice and victory are recounted in Rick Atkinson’s fine book.
I honestly had no idea how to headline this tribute to the great Ray Shepardson, who died suddenly and shockingly in Aurora, Illinois in the spring of 2014. The man who saved dozens of great old theatres and movie palaces from the wrecking ball was a man of prodigious energy, drive, and “can do” creativity. He is greatly missed by many. This was posted on April 16, 2014 — my birthday.
Originally posted in 2010 on the anniversary of the “day that will live in infamy” – this post has become an annual event. A lot of military history fans visit this blog, but I think Pearl Harbor fascinates and resonates with Americans whether they have an interest in military history or not. The September 11, 2001 terrorist attacks took more American lives – but Pearl Harbor was the shocking opening act in a drama that ultimately made the United States the world’s preeminent superpower.
Though we didn’t hear much about it in 2013, the Occupy Wall Street movement has inspired a lot of posts on this blog since 2011. This post, written on November 2, 2011, has proven to be the most popular. Maybe that’s because people agree that we don’t need a bunch of foolish, immature anarchists screwing up a noble movement that ultimately helped to put Barrack Obama back in office. Without Occupy Wall Street, would Romney’s attack on the 47% have evoked such a profound and spirited response? Without Occupy Wall Street, would the concept of the 99% and 1% have ever entered the Zeitgeist? And can Occupy Wall Street — or something even more effective yet peaceful — please come back in 2o15?
On December 15, 2010 – the 215th birthday of our Bill of Rights – I wrote this basic primer on the first ten amendments to the United States Constitution and it’s become one of the most-read posts in the history of this blog. I guess that’s because Americans still give a damn about their rights and are keen to understand their Constitutional foundation.
One of the first posts I wrote for this blog back on January 9, 2010 celebrated my brief but soul-satisfying collaboration with the legendary underground comix artist, Jay Lynch, who gave Vic and me the once-in-a-lifetime opportunity to write a series of Bazooka Joe comics. It was one of the coolest chapters in my creative career. The Practical Theatre Company, Saturday Night Live, Behind the Music, The Vic & Paul Show and Bazooka Joe. Classics all. Can I retire now?
This was originally posted on June 18, 2012. That day was not just Paul McCartney’s 70th birthday – it was also the 200th anniversary of The War of 1812. 130 years after the young upstart United States declared war on Great Britain, Paul McCartney was born. I thought that was a real fun fact.
As a Cleveland native, I’ve often been asked my opinion of LeBron James leaving the Cavaliers several years ago — and my friends and co-workers are usually shocked that I’m not upset or indignant or jilted, etc. And while the blogosphere hardly needed one more commentary on LeBron James’ move to the Miami Heat, I wrote this post on July 9, 2010 to explain that LeBron James didn’t owe me anything. He’s a professional basketball player who wants to win and be remembered as the best to play the game. The two NBA championships he’s won in Miami since I wrote this post have given LeBron all the scoreboard he needs. in 2014, The King came back to Cleveland, which is doubtless the reason for renewed interest in this post.
So, that’s the best of 2014. Stay connected. Subscribe. And please keep posting your comments!
Here’s to a worthy, adventurous voyage in 2015!
And here are the All-Time Top 10 Blog Posts from January 2010 up to today:
This post was the #3 post in 2010. 24 years ago, my wife Victoria and I went to Gettysburg and other Civil War battlefields on our honeymoon! I needed no other assurance that I had married the perfect woman. On our 20th anniversary, we returned to Gettysburg. Now both students of the battle, we walked the battlefield on July 1, 2 and 3, 2010 on the 147th anniversary of that critical conflict. My four-part account of our battlefield tramping became one of the most popular items on the blog. (Originally posted July 20, 2010)
On the May 4, 2012 anniversary of this very dark day in America history, I posted this personal remembrance of a young Ohioan’s earliest memories of that terrible day. Unlike the Pearl Harbor post, I haven’t re-posted this article every year — but readers still find it. “Tin soldiers and Nixon coming.” The shootings at Kent State should never be forgotten.
I’ve always wondered where singular, epochal, “out of this world” geniuses like William Shakespeare, Leonardo da Vinci and Bob Dylan came from. So, on January 26, 2011, I wrote this speculation on the possible alien origin of such monumental minds. Evidently, my curiosity (if not my Erich Van Daniken “ancient astronaut” fantasy) is still shared by a lot of people who read my blog in the past year.
The last American space shuttle launch inspired this July 14, 2011 remembrance of my personal connection to the Space Age. This popular post salutes my fellow Ohioan, John Glenn, who served as both the first man to orbit the Earth and as a Senator from my home state. I wish that my three daughters had grown up experiencing something half as exciting and inspirational as The Race to the Moon.
Memphis, Tennessee is the birthplace of rock and roll. It’s where the King of Rock & Roll lived and died. It’s where the Delta blues stopped for a drink on Beale Street before heading up to Chicago. And it’s where my late brother Peter managed the city’s finest luxury hotel, The Peabody. So, let’s celebrate Memphis in song…
1. Long Way from Memphis (The Automatics)
This cut is by a band of English ex-pats living in Los Angeles. The drummer (Paul Crowder) is friend of mine. He’s also a great video editor. I met him while working on “Behind The Music”. Saw him and the band play live at a club in Los Angeles and they opened with this fine rock & roll tune – which includes an Elvis sighting in Kalamazoo.
2. All the Way to Memphis (Mott the Hoople)
For years I loved this song – but I had no idea what Ian Hunter was singing about. The song was my favorite on the 1973 album “Mott”, which was the follow-up to “All The Young Dudes.” Listening to the song over and over, I can now tell that it’s about Hunter losing a guitar and having a hard time getting it returned to him. Never knew there was an Oriole, Kentucky – but it’s lucky for Ian, because Oriole rhymes with Rock & Roll if you pronounce it that way. The song’s best line? “It’s a mighty long way down rock ‘n’ roll, from the Liverpool docks to the Hollywood Bowl.”
3. I’ve Been to Memphis (Lyle Lovett)
Of course Lyle Lovett’s been to Memphis. This song, like so many songs with a Memphis connection, mentions a lot of other towns – and women – along the way. I love the honky-tonk feel of this one.
4. Memphis In the Meantime (John Hiatt)
John Hiatt ditches Nashville so he and his lady can “get good and greasy” in Memphis. The band on this track is an all-star group: Hiatt (acoustic guitar), Ry Cooder (electric guitar), Nick Lowe (bass) and Jim Keltner (drums). Nice company, huh? Ronnie Milsap, it’s your loss.
5. Graceland (Paul Simon)
While John Hiatt goes to Memphis to enjoy the down and dirty rhythm and blues with some boozy babe, Paul Simon is traveling on a pilgrimage seeking benediction and redemption. The title track of one of Simon’s greatest albums, it has some of his finest lyrics – and Simon nails the allure and power of Memphis and The King’s mansion. I have just one quibble with Simon. The Mississippi delta can surely shine like a National guitar – but it’s not “the cradle of the Civil War.” That infamy belongs to South Carolina. Just ask General Sherman’s troops.
6. I’m Going to Memphis (Johnny Cash)
The Man in Black got his start in Memphis with Sam Phillips and Sun Records: part of the Million Dollar Quartet of Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash. In this song, credited to Alan Lomax and associated with Memphis Slim, Johnny is journeying to Memphis to see and do a lot of strange things. I don’t think Johnny’s on the same holy pilgrimage that Paul Simon is going on.
7. Going Back to Memphis (The Levon Helm Band)
The whole thing is a party, led by Levon at his gravelly best.
One of rock and roll’s best examples of a guy who can lead a band from behind his drum kit, Levon takes another journey through song to the great musical Mecca on the Mississippi.
8. Memphis (Chuck Berry)
“Long-distance information, get me Memphis, Tennessee.” Thus, Chuck Berry begins one of the most oft-covered tunes ever written about Memphis. Chuck says he recorded this one at his office in St. Louis on an $80 Sears Roebuck reel-to-reel. (Although $80 was a lot of money in those days.) With its surprise ending, in which we learn that “Marie is only 6-years old,” this is one of those perfect rock and roll songs that Chuck Berry churned out so magically in the 1950’s. It’s another reason we’re all Chuck’s children.
9. Guitar Man (Elvis Presley)
This is a great comeback Elvis track, proving that the King of Rock & Roll had survived Hollywood and emerged with his voice and flawless sense of rhythm and dynamics intact. Jerry Reed, who wrote the song (and could also play guitar like a-ringin’ a bell) had a minor hit with the tune in 1967 — but Elvis’ cover (with Reed on guitar) became a chart topper. Recorded in Nashville in the late 1960’s, it was re-remixed and re-released four years after The King’s death, scoring him a posthumous #1 hit on the country charts in 1981.
Here’s a clip from the ’68 Comeback Special. There’s some fun stuff at the top, then Elvis tears into a bit of “Guitar Man”, proving he’s still the King of Rock & Roll.
10. Johnny Bye-Bye (Bruce Springsteen)
In this short, dark and complex song, Bruce ties Elvis Presley and Chuck Berry together. The Boss starts out with the opening lyrics of Chuck’s “Bye Bye Johnny,” (“She drew out all her money from the Southern Trust, and put her little boy aboard a Greyhound bus”) then pivots to a meditation on the death of Elvis, from his rise to stardom (“Leaving Memphis with a guitar in his hand, a one-way ticket to the promised land”) to his death at Graceland (“They found him slumped up against the drain, a whole lot of trouble running through his veins”).
11. King’s Call (Phil Lynott)
Another musical meditation on the death of Elvis Presley: this one’s a deeply personal tribute by Thin Lizzy’s lead singer, Phil Lynott – who also died tragically young, passing away at the age of 36 in 1986. “King’s Call” is a track from Lynott’s first solo album – and if the guitar playing sounds familiar, that’s because Dire Straits’ Mark Knopfler sat in on guitar and backing vocals. I love this tune.
12. Memphis Monday Morning (Bobby “Blue” Bland)
As Phil Lynott sang in the previous track, “It was a rainy night, the night The King went down.” So perhaps Mr. Bobby Blue Bland is singing about that very night, as he takes us through this jazzy, bluesy walk through the late night/early morning streets of Memphis. Along the way, he name checks my brother’s hotel and several other Memphis locations. The musicianship on this track is awesome: a little cool jazz mixed with the blues for all you classy cats.
13. Big Train (From Memphis) (John Fogerty)
The great John Fogerty’s tribute to Sam Phillips and Sun records is dominated by the train imagery evoked in so many songs from and about Memphis. (By the way, I had the honor of meeting Sam Phillips in the late 1990’s when I interviewed him for Rick Nelson: Behind The Music. We sat at the same Formica kitchen table in Sam’s Memphis house where he sat with Elvis when he told the future King of Rock & Roll that he was selling his contract to RCA. No brag, just fact.) This song was on Fogerty’s hit 1985 “comeback album” Centerfield, and was covered the next year by the living Sun Records legends: Johnny Cash, Jerry Lee Lewis, Carl Perkins and Roy Orbison. Alas, only The Killer is still with us at the age of 79.
14. Night Train To Memphis (Dean Martin)
Somehow, Dean Martin makes everything he does sound groovy and utterly cool.
Given that Dean was one of Elvis’ biggest heroes – and that Elvis tried to emulate Dino’s sound – it’s only fitting that the King of Cool have his spot in this Memphis themed lineup.
15. Stuck Inside of Mobile With The Memphis Blues Again (Bob Dylan)
In this fabulous track from Blonde on Blonde, Dylan puts together perhaps the greatest word collage in the history of rock & roll. And among all those words, he keeps referring to “the Memphis blues”, which he obviously has again – though he (and Jerry Reed’s guitar man) are stuck in Mobile, Alabama at the time. If this song had been sung by Ian Hunter it would be completely incomprehensible, but Dylan makes the words quite clear even if the meaning is elusive. Who cares? It’s great. It rocks. And it’s the last tune on this tribute to Memphis, Tennessee – the birthplace of rock & roll.
Here’s a bit of delightful musical merriment from Ms. Maura — my sweet, talented daughter!
I know there’s a lot going on right now in Iraq and Syria and the Ukraine and Gaza and Ferguson, Missouri – but there’s not much I can do about those intractable geopolitical situations. I’ll let prudent, deliberative President Obama and his national security team sort out America’s proper role in all that madness.
But there is one source of national shame and outrage that I must address here and now…
I’m a Cleveland boy, and the Rock & Roll Hall of Fame is a shining jewel on our downtown lakefront — but that only makes such an injustice a more personal matter.
Tommy James & The Shondells have been waiting since 1991 to get that call from the Hall. For 23 years, they’ve had to endure the enshrinement of acts like Abba, Donna Summer and Madonna in an institution supposedly devoted to rock and roll – while the group that gave garage bands around the world rock classics like “Mony Mony” and “Hanky Panky” is continually and criminally passed over.
At this year’s Hall of Fame induction ceremony, Rage Against the Machine’s lead guitarist Tom Morello – a man whose shredding virtuosity and politics I admire – made a convincing case for why Kiss had a rightful place in the Rock Hall. But while Kiss may have blazed a trail for visual and musical bombast and pyro in arena rock – their sound and fury signify nothing like the string of hits that Tommy James and his band delivered in the late 1960s.
Besides their two #1 hit single in the U.S. – “Hanky Panky” in ’66 and “Crimson and Clover” in ’69 — Tommy James & The Shondells charted twelve other Top 40 hits, including five in the top ten. Remember a platter entitled “Crystal Blue Persuasion”?
How about 14 Top 40 hits during the greatest period in rock and roll radio history? All while competing with The Beatles, The Rolling Stones, The Who, The Kinks, Creedence Clearwater Revival, James Brown, Sly & The Family Stone – and those Motown artists cranking out classics in Hitsville, USA.
All of those great rockers are in the Hall of Fame — so, why not Tommy James & The Shondells?
And I don’t want to hear that Tommy James was “bubblegum”. Please. When was the last time you listened to “Mony Mony” or “Draggin the Line”? Guitars. Groove. Harmony. Drive. Horns. Hooks. Lots and lots of classic rock and roll hooks.
Tommy James & The Shondells should go into the Rock & Roll Hall of Fames very next class or the whole institution is a sham.
I can wait no longer.
I’m just going to enshrine Tommy James & The Shondells here and now.
I’m announcing The Rock & Roll Hall of Fame Class of 2015 (if there were any justice in this freaking world):
Tommy James & The Shondells — Eligible since 1991
Chicago — Eligible since 1994.
Actually, the Chicago that most deserves to go into the Rock Hall is the first incarnation of Chicago. The first version of Chicago was the band that was politically progressive and rocked harder than the late 70s and 80’s version – before their bluesy lead guitarist, Terry Kath died in January 1978 from an accidentally self-inflicted gunshot wound. (Some say Russian roulette.)
That was the band that got me out to Blossom Music Center during my high school days to enjoy some of the first rock concerts I ever attended.
My favorite Chicago song during this period was “Dialogue (Part I & II) – a charged musical debate between a politically active guy (sung by Kath) and an apathetic college student (sung by Peter Cetera). Listening to that song now makes we weep for the current state of music on the radio. Remember that chorus? “We can make it happen…”
The same thing happened to another Chicago band, Styx, when Dennis DeYoung’s ballads became hits – and smothered the rock in syrup. But the chicks dug it. And the arenas filled up.
In fact, Chicago had more hit singles in the US during the 1970s than anyone else.
And they scored five #1 albums and 21 top-ten singles.
Put ‘dose Chicago boys in ‘da Hall.
The Doobie Brothers — Eligible since 1996:
I remember with great humility the day in 1972 when my fellow Cleveland Central Catholic freshman (and soon to be band mate) Ed Dougan and I were discussing The Doobie Brother’s first big hit, “Listen to the Music”. I opined that The Doobie Brothers sounded like a one-hit-band to me.
For the next four years, The Doobie Brothers gave Eddie Dougan reason after reason to remind me how absolutely wrong I was – as songs like “Jesus is Just Alright”, “Long Train Running” and “China Grove” poured out of our radios and rocked up the charts, culminating in their inescapable, utterly sing-able #1 hit, “Black Water”.
With McDonald singing lead, songs like “Takin’ It to the Streets” and “What a Fool Believes”, topped the charts in the US – and made Eddie Dougan smile once again, remembering what a fool I was.
Green Day — Eligible in 2014
If Green Day isn’t drummed into the Hall at its 2015 Induction Ceremony, then the whole building should just slink shamefully into Lake Erie.
Green Day has sold more than 75 million albums and singles worldwide. There’s no reason to wait.
Put those punks in the Hall.
If these next two deserving honorees continue to be snubbed by the Rock & Roll Hall of Fame – Southern Californians and fans of surf rock should get Eric Von Zipper to bust some heads.
Jan & Dean — Eligible since 1985
Without Jan and Dean there are no Beach Boys. It’s as simple as that. Beginning in the late 1950s, Jan Berry and Dean Torrence established much of what became the California surf rock sound, featuring big waves, hot rods, and girls, girls, girls.
Brian Wilson looked up to Jan – who was a studio production whiz kid – as a musical big brother. And that’s Dean’s falsetto on the Beach Boy’s party classic, “Barbara Ann”. (Carl Wilson says, “Thanks, Dean” at the end of the track.) Jan & Dean were cool. So cool they were chosen as the hosts of the legendary T.A.M.I. Show in 1964.
Shades of “Dead Man’s Curve”.
“Little Old Lady from Pasadena” went to #3 – and “Surf City” — the joyous anthem of surf rock — went all the way to #1 promising “two girls for every boy”.
Two girls for every boy? That’s reason enough to put Jan & Dean in the Rock & Roll Hall of Fame.
And do it while 74-year old Dean can still get onstage and sing.
Dick Dale — Eligible since 1987
Dick Dale is the The King of the Surf Guitar. He pioneered the surf music style, experimenting with reverb – and worked with Leo Fender to push the limits of electric amplification. (Riffmaster Van Wagner owes Dick Dale an unpayable debt for producing “thick, clearly defined tones” at “previously undreamed-of volumes.”
And it wasn’t just upping the volume in rock and roll that makes Dick Dale Hall-worthy – it’s also his style and technique. Just spin “Let’s Go Trippin’” – often called the first surf rock song – or “Jungle Fever” or “Misirlou”.
Like Chuck Berry before him, generations of guitar shredders copied Dick Dale’s licks.
And it should be done while Dick Dale can still perform — thrilling us with his pioneering sound.
The Monkees — Eligible since 1991
The Monkees should be in the Rock & Roll Hall of Fame. Hell, The Beatles respected The Monkees – so why should anyone else deny their undeniable greatness?
Morons who I have little patience for say The Monkees were a fabricated band – “The Pre-Fab Four” — surrounded by studio musicians. I know for a fact that The Beach Boys, The Mamas & The Papas, and others in the Hall of Fame were backed by the very same group of studio cats: the Wrecking Crew. So, what?
Hold on. I said I wasn’t gonna argue.
At their peak in ‘67, The Monkees outsold The Beatles and Rolling Stones combined. 12 Top-40 hits, three #1 hits — and a TV show that brought melodic, witty, well-written and beautifully sung rock and roll music (and surprisingly subversive comedy) into homes across America.
“Last Train to Clarksville,” “I’m a Believer,” “Daydream Believer,” “Pleasant Valley Sunday” and “(I’m Not Your) Steppin’ Stone”. That’s just five.
And now I’m really not gonna argue any more.
The Rock N Roll Trio — Eligible since 1981
“Rock Billy Boogie”, “Rock Therapy”, “Train Kept A-Rollin”, “Honey Hush”, “Tear It Up” – Johnny Burnette and the Rock & Roll Trio served up fundamental, elemental, essential rock and roll.
Sorry, Kiss, this is rock and roll with real heart and soul.
I don’t give a damn what hits they had or where they charted.
When I need rock therapy. They give it to me.
They should be in the Rock & Roll Hall of Fame.