My daughter Eva B. Ross will play a free concert at UCLA’s Schoenberg Hall on Thursday, May 3 at 8:00 PM.
Opening for Eva on this impressive, eclectic bill are the acclaimed Thelonious Monk Institute of Jazz Ensemble and Superdevoiche, the UCLA Balkan Women’s Choir. All that great music – and it’s free!
Seating is limited. So RSVP here. RSVPs are priority up until 15 minutes before the show. Standby is on a first come, first seated basis. Early arrival is recommended.
From the UCLA School of Music website:
“Song of Ourselves,” the Herb Alpert School of Music’s all-day musical celebration of diversity, concludes with a concert featuring Eva B. Ross, winner of the 2017 UCLA Spring Sing. We’re calling the concert “Dinkinesh,” which roughly translates to “You are marvelous.” (and you are!)
Ross is an up-and-coming singer-songwriter who grew up in Los Angeles performing in her family’s garage band. As a freshman at UCLA, she formed her band, Eva B. Ross Foundation, and independently set out on a European tour in the summer of 2014.
In 2015, she released her first independent single “Nick’s House” and in 2017, she won UCLA’s Spring Sing at Pauley Pavilion with her original composition, “Chicago.” She is currently working on her debut EP, which will be co-produced by Grammy-winning producer Justin Niebank and Emmy-winning producer, Steve Rashid.
Scenes from the March For Our Lives in Los Angeles, to the tune of Bob Dylan’s classic protest song: as relevant today as it was when it was released on January 13, 1964.
Come gather ’round people Wherever you roam And admit that the waters Around you have grown…And accept it that soon You’ll be drenched to the bone… If your time to you Is worth savin’ Then you better start swimmin’ Or you’ll sink like a stone For the times they are a-changin’.Come writers and critics Who prophesize with your pen And keep your eyes wide The chance won’t come again… And don’t speak too soon For the wheel’s still in spin… And there’s no tellin’ who That it’s namin’ For the loser now Will be later to win For the times they are a-changin’.Come senators, congressmen Please heed the call Don’t stand in the doorway Don’t block up the hall… For he that gets hurt Will be he who has stalled For the battle outside ragin’… Will soon shake your windows And rattle your walls For the times they are a-changin’.Come mothers and fathers Throughout the land And don’t criticize What you can’t understand… Your sons and your daughters Are beyond your command….
Your old road is Rapidly agin’ Please get out of the new one If you can’t lend your hand For the times they are a-changin’.The line it is drawn The curse it is cast The slowest one now Will later be fast… As the present now Will later be past… The order is Rapidly fadin’… And the first one now Will later be last For the times they are a-changin’.
We modern, sophisticated, educated folk tend to dismiss the idea of prophets: people who can see the future and comment on what’s coming.
But give a listen to this song by Bob Dylan – who was just 22-years old when “A Hard Rain’s Gonna Fall” was released on May 27, 1963 — on the album, The Freewheelin’ Bob Dylan.
Freewheelin’?Not on this song.
Bob Dylan may well be the greatest poet writing in the English language since Shakespeare. Listen to his song – and read the lyrics. I will say no more.
Oh, where have you been, my blue-eyed son And where have you been, my darling young one I’ve stumbled on the side of twelve misty mountains I’ve walked and I’ve crawled on six crooked highways I’ve stepped in the middle of seven sad forests I’ve been out in front of a dozen dead oceans I’ve been ten thousand miles in the mouth of a graveyard And it’s a hard, and it’s a hard, it’s a hard, and it’s a hard It’s a hard rain’s a-gonna fall
Oh, what did you see, my blue-eyed son And what did you see, my darling young one I saw a newborn baby with wild wolves all around it I saw a highway of diamonds with nobody on it I saw a black branch with blood that kept drippin’ I saw a room full of men with their hammers a-bleedin’ I saw a white ladder all covered with water I saw ten thousand talkers whose tongues were all broken I saw guns and sharp swords in the hands of young children And it’s a hard, and it’s a hard, it’s a hard, it’s a hard It’s a hard rain’s a-gonna fall
And what did you hear, my blue-eyed son? And what did you hear, my darling young one? I heard the sound of a thunder that roared out a warnin’ Heard the roar of a wave that could drown the whole world Heard one hundred drummers whose hands were a-blazin’ Heard ten thousand whisperin’ and nobody listenin’ Heard one person starve, I heard many people laughin’ Heard the song of a poet who died in the gutter Heard the sound of a clown who cried in the alley And it’s a hard, and it’s a hard, it’s a hard, it’s a hard It’s a hard rain’s a-gonna fall
Oh, what did you meet, my blue-eyed son? Who did you meet, my darling young one? I met a young child beside a dead pony I met a white man who walked a black dog I met a young woman whose body was burning I met a young girl, she gave me a rainbow I met one man who was wounded in love I met another man who was wounded with hatred And it’s a hard, it’s a hard, it’s a hard, it’s a hard It’s a hard rain’s a-gonna fall
And what’ll you do now, my blue-eyed son? And what’ll you do now, my darling young one? I’m a-goin’ back out ‘fore the rain starts a-fallin’ I’ll walk to the depths of the deepest black forest Where the people are many and their hands are all empty Where the pellets of poison are flooding their waters Where the home in the valley meets the damp dirty prison And the executioner’s face is always well hidden Where hunger is ugly, where souls are forgotten Where black is the color, where none is the number And I’ll tell it and think it and speak it and breathe it And reflect it from the mountain so all souls can see it Then I’ll stand on the ocean until I start sinkin’ But I’ll know my song well before I start singin’ And it’s a hard, it’s a hard, it’s a hard, it’s a hard It’s a hard rain’s a-gonna fall.
Recall these lines – and think about them. This was a young man, barely an adult in the early 1960’s, and he saw – and sang about – these images…
I’ve been out in front of a dozen dead oceans
I saw guns and sharp swords in the hands of young children
Heard ten thousand whisperin’ and nobody listenin’
Heard one person starve, I heard many people laughin’
I met a white man who walked a black dog
I met a young woman whose body was burning
Where the people are many and their hands are all empty
Where the pellets of poison are flooding their waters
Where the home in the valley meets the damp dirty prison
Where hunger is ugly, where souls are forgotten
Where black is the color, where none is the number
How could such a young man see the future (and his present) so clearly?
The Second Amendment to the Constitution of the United States reads…
“A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed.”
As a student of English, I appreciate the specificity of the language – and the importance of punctuation. You can’t separate a parenthetical clause from the body of a sentence and reinterpret the meaning of the sentence to suit your ideology.
“A well regulated Militia, being necessary to the security of a free State, the right of the people to keep and bear Arms, shall not be infringed.”
The Framers — our esteemed Founding Fathers – were clearly concerned (fresh from a Revolutionary War against Britain) that we have a well-drilled local militia ready to take the field and battle against foreign aggressors. Citizen soldiers (the famous Minutemen) were therefore, armed, drilled, and prepared to face foreign armies.
But foreign invasion is simply NOT a concern today. (Unless it’s a Russian-style cyber invasion.)
So, why do we Americans allow civilians to own military-style semi-automatic weapons? (Automatic — if you factor in bump-stocks.) Are the NRA-loving folks armed with such high-powered weapons members of a “well regulated Militia?”
I think NOT.
So, given that Our Founders were Englishmen (or, at least, descendants of English speakers) versed in the King’s English, they could not have envisioned the situation we confront today: untold thousands of high-powered weapons in the hands of paranoid people who aren’t members of a “well regulated Militia.”
Sorry, Wayne LaPierre, I call your bullshit. And so do the student survivors of the mass school shooting in Parkland, Florida.
Like Australia – and all the other civilized countries in the world, we cannot accept mass shootings in our schools — or Country Music concerts — or anywhere else.
For two frigid but otherwise fun and fulfilling weeks on Chicago’s North Shore, the cast and crew of “Mr. Olsen’s Champagne Celebration” staged a series of shows that rang in the New Year with satire, song and classic comic shtick. The three packed performances proved once again that The Practical Theatre Company and its motto “Art is Good” are alive and well in the Windy City.
The Practical Theatre is like “Brigadoon” these days: a magical, fleeting moment of entertainment that vanishes as suddenly as it appears. For those of you who were not able to be among the receptive crowds that gathered at Studio5 in Evanston to witness this rare theatrical event – please enjoy the following photos, taken by former Chicago Tribune photographer Chuck Osgood at final dress rehearsal.
The Opening Number: “It’s been a year to remember — to forget!”
“Ed & Ellen & Ned” — Ed (Paul Barrosse) & Ellen (Victoria Zielinski) and Ned (Dana Olsen) share a moment in an airport bar with a young man (Daniel Rashid) who digs older women.
Eva B Ross sings “Thou Swell” backed by Steve Rashid (keys) & The Studio5 All Stars: Rockin’ Ronny Crawford (drums), Joe Policastro (bass), Don Stille (accordion) and Don Stiernberg (guitar)
“Limbo” — A bickering couple (Vic & Dana) find themselves in a state of suspended afterlife.
“Parents” — Dana and Shelly Goldstein play parents with a lot of good (and not so good) advice for their high school graduate, bound for Northwestern University.
“Please Come to Starbucks” — Paul is a forlorn, lovesick guy from Cleveland who lost his girl (Vic) to the Southern California dream. He seeks her out in a mournful musical complaint.
“Stop Talking About Him” — A young couple (Daniel Rashid & Emilia Barrosse) struggle with the nagging, negative, inescapable influence of Donald Trump on their relationship.
“Cut In Line” — This is the moment that an unlucky guy (Paul) discovers that the guy to whom he just gave his place in line (Dana) is the 1,000,000th customer and winner of a million dollars!
The Mr. Olsen’ Dancers perform “We’re In The Money”
Dana & Eva perform a multi-lingual duet of “Let it Snow” — just before it goes way off the rails.
With sexual harassment dominating the news, the dancers make a statement.
Don Stille burns up his accordion solo in “The Possible Side Effects Polka”
The Mr. Olsen Dancers step lively in “The Possible Side Effects Polka”
Emilia Barrosse opens the second act with an original stand-up comedy set.
“Ed & Elena” — Ed (Paul) is about to get a big surprise from buxom blonde Elena (Vic).
Steve Rashid performs a nostalgic musical tribute to George W. Bush — with beautiful, inspirational music by Steve and indescribable words by Dubya himself.
The Mr. Olsen Dancers kick up a wild western rumpus.
“Whisky Tasting” — Miss Vicky’s hootch has finally gotten the best of Paul’s boozing cowpoke.
Groovy Shelly sings “The Middle Aging of The Age of Aquarius”
“Meet the Robot” — Guess who’s coming to dinner? Your daughter’s synthetic human boyfriend, that’s who.
A proper 19th Century minuet gets a bit topsy-turvy.
Roland Masterton (Paul) and Elizabeth Cuddleton (Vic) share a long, long, long developing romance a’la Jane Austen — through correspondence, shipwreck, and a mortal duel .
Donald J. Trump meets “Hamilton” in a rap production number. “How does a bastard, orange, TV show host with a toupe’, dropped in the middle of a polarized time in our America — with hands so freaking teeny — rise up to be the Mango Mussolini?”
“What’s you name, man?” “Inmate number 45!”
The Closing: “Resist! Resist! — and keep your sanity. Do your best, it’s a test — of our humanity.”
The Practical Theatre returns with another entertaining comedy and music revue featuring veteran improvisational comedy writer-performers Victoria Zielinski, Paul Barrosse and Dana Olsen. It’s a fun-filled party in the style of The Lawrence Welk Show, filled with laughter, satire and song.
Joining the cast are the PTC’s musical director, Steve Rashid, songbird Eva B. Ross, standup comic Emilia Barrosse, Giggle Break’s own Daniel Rashid, cabaret chanteuse Shelly Goldstein — and the Studio5 All-Star Band, including Rockin’ Ronny Crawford on drums, Don Stille on accordion, bassist Joe Policastro and Don Stiernberg on guitar. Plus percussionist Robert Rashid.
And — The Mr. Olsen Dancers are back – and better than ever!
The show on New Year’s Eve will be followed by live music and a fabulous dance party — as we invite you all to swing into the New Year! (And enjoy tasty food, too!)
Studio5 is Evanston’s hippest, most intimate performing arts venue, with comfortable seats, great sight lines, state of the art sound and lights, and acres of free parking. Tickets are on sale here!
There will be a cash bar for both shows. Doors open for cocktails at 7:30.
Don’t miss your last chance to join the biggest party of the year!
Tickets are going fast for the funniest and most fun New Year’s party on Chicago’s North Shore.
Reserve your seats now for Mr. Olsen’s Champagne Celebration at Studio5 in Evanston.
Following last year’s hit holiday engagement at Studio5, The Practical Theatre returns with another entertaining comedy and music revue featuring veteran improv-comedy writer-performers Victoria Zielinski, Paul Barrosse and Dana Olsen.
Mr. Olsen’s Champagne Celebration is a fun-filled party in the style of The Lawrence Welk Show, filled with laughter, satire and song.
Joining the cast are the PTC’s musical director, Steve Rashid, songbird Eva B. Ross, standup comic Emilia Barrosse, Giggle Break’s own Daniel Rashid, cabaret chanteuse Shelly Goldstein — and the Studio5 All-Star Band, including Rockin’ Ronny Crawford on drums, Don Stille on accordion, bassist Joe Policastro and Don Stiernberg on every stringed instrument a man can possibly play. Plus percussionist Robert Rashid.
Did we mention The Mr. Olsen Dancers?? Oh yeah. They’re back – and better than ever!
It’s a limited engagement – with just three shows on Friday December 29, Saturday December 30 and Sunday December 31. Tickets are on sale now here!
The big show on December 31st will be followed by live music and a fabulous dance party — as we invite you all to swing into the New Year! (And enjoy tasty food, too!)
Studio5 is Evanston’s hippest, most intimate performing arts venue, with comfortable seats, great sight lines, state of the art sound and lights, and lots of free parking.
There will be a cash bar for all three shows. Doors open for cocktails at 7:30.
Tickets are going fast for the funniest New Year’s party on Chicago’s North Shore. Reserve your seats now for Mr. Olsen’s Champagne Celebration at Studio5 in Evanston.
Following last year’s smash holiday engagement, The Practical Theatre returns with another improvisational comedy and music revue featuring Victoria Zielinski, Paul Barrosse and Dana Olsen.
Mr. Olsen’s Champagne Celebration is a fun-filled party in the style of The Lawrence Welk Show, filled with laughter, satire and song.
Joining the cast are the PTC’s musical director, Steve Rashid, songbird Eva B. Ross, standup comic Emilia Barrosse, Giggle Break’s own Daniel Rashid, cabaret chanteuse Shelly Goldstein — and the Studio5 All-Star Band, including Rockin’ Ronny Crawford on drums, Don Stille on accordion, bassist Joe Policastro and Don Stiernberg on every stringed instrument a man can possibly play. Plus percussionist Robert Rashid.
And did we mention The Mr. Olsen Dancers?
There are three shows: Friday December 29, Saturday December 30, and Sunday December 31. Tickets are on sale now here!
The New Year’s Eve show on December 31st will be followed by live music and a fabulous dance party — as we invite you all to swing into 2018! (And enjoy tasty food, too!)
There’s lots of free parking — and a cash bar for all three shows.
There are now just three weeks left to reserve your seats for Mr. Olsen’s Champagne Celebration at Studio5 in Evanston. Tickets are going fast for the funniest and most fun New Year’s party on Chicago’s North Shore.
Following last year’s smash holiday engagement at Studio5, the legendary Practical Theatre returns with another entertaining comedy and music revue featuring veteran improvisational comedy writer-performers Victoria Zielinski, Paul Barrosse and Dana Olsen – Joined by the PTC’s musical director, Steve Rashid, songbird Eva B. Ross, standup comic Emilia Barrosse, Giggle Break’s own Daniel Rashid, cabaret chanteuse Shelly Goldstein — and the Studio5 All-Star Band, featuring Rockin’ Ronny Crawford on drums, Don Stille on accordion, bassist Joe Policastro, and Don Stiernberg on every stringed instrument a man can possibly play. Plus percussionist Robert Rashid.
All this — and The Mr. Olsen Dancers!
Only 3 shows: Friday December 29, Saturday December 30 and Sunday December 31. Tickets are on sale here!
The show on December 31st will be followed by a fabulous dance party — as we invite you all to swing into the New Year with live music by the Studio5 All-Stars! (And enjoy some tasty food, too!)
There will be a cash bar for all three shows. Doors open for cocktails at 7:30.
And there’s plenty of free parking right in front of the theatre.
There are now just five weeks left to reserve your seats for Mr. Olsen’s Champagne Celebration at Studio5 in Evanston. Tickets are going fast for the funniest and most fun New Year’s party on Chicago’s North Shore.
Following last year’s smash holiday engagement at Studio5, the legendary Practical Theatre returns with another entertaining comedy and music revue featuring veteran improvisational comedy writer-performers Victoria Zielinski, Paul Barrosse and Dana Olsen – Joined by the PTC’s musical director, Steve Rashid, songbird Eva B. Ross, standup comic Emilia Barrosse, Giggle Break’s own Daniel Rashid, cabaret chanteuse Shelly Goldstein — and the Studio5 All-Star Band, featuring Rockin’ Ronny Crawford on drums, Don Stille on accordion, bassist Joe Policastro, and Don Stiernberg on every stringed instrument a man can possibly play. Plus percussionist Robert Rashid.
All this — and The Mr. Olsen Dancers!
Only 3 shows: Friday December 29, Saturday December 30 and Sunday December 31. Tickets are on sale here!
The show on December 31st will be followed by a fabulous dance party — as we invite you all to swing into the New Year with live music by the Studio5 All-Stars! (And enjoy some tasty food, too!)
There will be a cash bar for all three shows. Doors open for cocktails at 7:30.
And there’s plenty of free parking right in front of the theatre.
The Times They Are A Changin’…
Come gather ’round people
And accept it that soon
Come writers and critics

Come senators, congressmen

Come mothers and fathers
Wherever you roam
And admit that the waters
Around you have grown…
You’ll be drenched to the bone…
If your time to you
Is worth savin’
Then you better start swimmin’
Or you’ll sink like a stone
For the times they are a-changin’.
Who prophesize with your pen
And keep your eyes wide
The chance won’t come again…
And don’t speak too soon
For the wheel’s still in spin…
And there’s no tellin’ who
That it’s namin’
For the loser now
Will be later to win
For the times they are a-changin’.
Please heed the call
Don’t stand in the doorway
Don’t block up the hall…
For he that gets hurt
Will be he who has stalled
For the battle outside ragin’…
Will soon shake your windows
And rattle your walls
For the times they are a-changin’.
Throughout the land
And don’t criticize
What you can’t understand…
Your sons and your daughters
Are beyond your command….
Your old road is
The line it is drawn



Rapidly agin’
Please get out of the new one
If you can’t lend your hand
For the times they are a-changin’.
The curse it is cast
The slowest one now
Will later be fast…
As the present now
Will later be past…
The order is
Rapidly fadin’…
And the first one now
Will later be last
For the times they are a-changin’.
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Filed under Art, Beauty, History, Politics, Random Commentary, Truth
Tagged as AR 15, Bob Dylan, Columbine, Gun control, gun deaths, March for our lives, Marjorie Stoneman Douglas, NRA, Pulse Nightclub, Resist, Sandy Hook, The Times They Are A Changin', Vegas shooting