There will be no better place to be this New Year’s Eve than in Evanston, Illinois – that little college town just north of Chicago.
But why party in Evanston? Why not Paris, or Rome, or the Greek island of Santorini? Why not join the throngs in Times Square – or at Monty’s Steakhouse in Woodland Hills?
Because Evanston in where you can be a part of “Mr. Olsen’s New Year’s Rockin’ Neighborhood” at 27 Live.
The fun begins at 8:00 PM with a one-hour comedy variety revue for the middle ages — hosted by screenwriter/comedian Dana Olsen, and featuring yours truly and my wife Victoria Zielinski of “The Vic & Paul Show”; our tall, blonde friend and fellow Practical Theatre founder, Brad Hall; the great Steve Rashid tinkling the ivories; Rockin’ Ronny Crawford hitting the rim shots on drums; and narrated by Stewart Figa, who will also grace the show with his powerful singing voice.
If you were among the standing-room-only crowd that caught “Mr. Olsen’s Neighborhood” at the Wilmette Theatre last June, you’ll have some idea of the fun to be had when Mr. Olsen and his neighbors get together to share some laughter and comic camaraderie.
Then, at 10:00 PM, the kids (of all ages) will start jumpin’ when Riffmaster and The Rockme Foundation take the stage for two sets of classic rock & roll and original songs written by a bunch of guys who grew up listening to the best records ever made and played on the radio. Wit, harmony, the big backbeat — and passionate guitar playing that would make Chuck Berry proud of his children.
After Riff and the Rockmes ring in the New Year, a DJ will keep the dance floor jumping until 2:00 AM.
It’s all happening at Evanston’s newest nightclub and concert venue, 27 Live, featuring a great stage, bar, whiskey lounge, and restaurant in a 14,000 square foot space that’s perfect for a New Year’s Eve crowd. 27 Live is located at 1012 Church Street, just steps away from both the CTA Purple line and Metra Davis stops.
Valet Parking is available.
Tickets are $25 in advance and $30 at door – with a $100 Dinner Package available (includes a 5 course dinner).
There will be no better place to be this New Year’s Eve than in Evanston, Illinois – that little college town just north of Chicago.
But why party in Evanston? Why not Paris, or Rome, or the Greek island of Santorini? Why not join the throngs in Times Square – or at Monty’s Steakhouse in Woodland Hills?
Because Evanston in where you can be a part of “Mr. Olsen’s New Year’s Rockin’ Neighborhood” at 27 Live.
The fun begins at 8:00 PM with a one-hour comedy variety revue for the middle ages — hosted by screenwriter/comedian Dana Olsen, and featuring yours truly and my wife Victoria Zielinski of “The Vic & Paul Show”; our tall, blonde friend and fellow Practical Theatre founder, Brad Hall; the great Steve Rashid tinkling the ivories; Rockin’ Ronny Crawford hitting the rim shots on drums; and narrated by Stewart Figa, who will also grace the show with his powerful singing voice.
If you were among the standing-room-only crowd that caught “Mr. Olsen’s Neighborhood” at the Wilmette Theatre last June, you’ll have some idea of the fun to be had when Mr. Olsen and his neighbors get together to share some laughter and comic camaraderie.
Then, at 10:00 PM, the kids (of all ages) will start jumpin’ when Riffmaster and The Rockme Foundation take the stage for two sets of classic rock & roll and original songs written by a bunch of guys who grew up listening to the best records ever made and played on the radio. Wit, harmony, the big backbeat — and passionate guitar playing that would make Chuck Berry proud of his children.
After Riff and the Rockmes ring in the New Year, a DJ will keep the dance floor jumping until 2:00 AM.
It’s all happening at Evanston’s newest nightclub and concert venue, 27 Live, featuring a great stage, bar, whiskey lounge, and restaurant in a 14,000 square foot space that’s perfect for a New Year’s Eve crowd. 27 Live is located at 1012 Church Street, just steps away from both the CTA Purple line and Metra Davis stops.
Valet Parking is available.
Tickets are $25 in advance and $30 at door – with a $100 Dinner Package available (includes a 5 course dinner).
Having decided to take a two-month sabbatical from the television business this summer, I left the production of the first season of “Push Girls” (Sundance Channel) and the eighth season of “Little People, Big World” (TLC) still in progress – and flew up to San Francisco in the first week of June to begin my unusual adventure.
My sabbatical began in the Bay Area because our middle-aged rock & roll band, Riffmaster & The Rockme Foundation, was playing a benefit in Portola Valley on June 8th to support Breast Cancer Action, an event organized by our drummer Rockin’ Ronny Crawford’s wife, JoAnn Loulan. My summer sojourn was off to a loud, rocking start for a very good cause.
My great friend, Rockme band mate (and freshman college roommate) Brad Hall accompanied me on the flight from LAX to SFO. Brad was also playing hooky from Hollywood.
After picking up Brad’s rental car, we traversed the surface streets of San Francisco, iPhone GPS in hand, from SFO to Brad’s sister’s lovely house overlooking The Presidio. I’d never spent more than a few days in San Francisco before, and I saw more of the city on that drive than I’d ever seen. I felt like Steve McQueen in “Bullit” (only going a lot slower) as we made our way up and down the groovy urban hill country toward The Presidio: that vast expanse of green space overlooking the Pacific Ocean commandeered by the U.S. military since the early 19th Century.
That first evening in San Francisco, Brad and I went to The Presidio Social Club to meet up with our gathering bandmates — Riffmaster Peter Van Wagner and Maurice Cleary (college roommates) and Terry Barron and Tom Larson (also college roommates. Sensing a pattern here?). I had the liver and onions. My meal was fabulous, as was the entire evening.
The next day, Brad and I made our way to rehearsal at Lennon Rehearsal Studios, located at 271 Dore Street in San Francisco, where our entire band was gathered.
Lead guitarist Riffmaster Peter Van Wagner…
Rhythm guitar player Maurice “Mr. Mo” Cleary…
Sax player Thomas “Wolf” Larson – who had traveled all the way from his home in Madrid, Spain…
Drummer Rockin’ Ronny Crawford…
Bass player Rush Pearson…
Keyboard wizard Steve “The Decider” Rashid…
And vocalist Casey “Casemo” Fox…
Our rehearsal at Lennon Studios went well. We actually made our way through most of the two sets we planned to play the next evening – and I managed not to tear my vocal cords to shreds prematurely.
The next evening, June 8th, we played the gig that had drawn us all to the Portola Valley: the benefit for Breast Cancer Action at the stunning, stately residence of Lori and Deke Hunter.
Lori and Deke have built an amazing house and grounds, featuring prolific flower and vegetable gardens. Seeing the impressive layout, I quickly spun a series of jokes about how Lori and Deke were actually poor subsistence farmers, barely managing to eke out a hardscrabble, meager living from their small, humble plot of earth. (Those jokes would serve me and Brad later during the live auction.)
At sound check — hours before the party got underway — Deke had growing concerns about the band. When I went into his house to print our set lists, Deke warned me that, “Volume could be a problem.” I replied that, “Volume is always a problem.” Needless to say, Deke was not reassured.
But before the night was out, it was Deke himself who led a packed dance floor, as he and his benefit guests rocked along with our second set. We came. We saw. We rocked. And we helped raise a lot of money for Breast Cancer Action.
“Bubba” George McClellan and the author cool our heels before the gig. (Looking as if we’d like to make you an offer you can’t refuse…)
Steve “The Decider” Rashid decides to look ultra-cool by the pool before the gig.
The next day, most of us gathered at a funky local eatery to celebrate a successful evening of riotous rocking and fundraising.
Then, it was time for Steve Rashid and I to fly to Chicago for the next stage in my sabbatical: “The Vic & Paul Show” at The Beverly Arts Center. The morning after we arrived in the Windy (and very hot and muggy) City, we went to the WGN radio studios in the Tribune Tower to promote “The Vic & Paul Show” in an appearance on Rick Kogan’s weekly radio program, “The Sunday Papers.”
To listen to our conversation with Rick, click here: vic and paul show
The day before we opened at The Beverly Arts Center, Victoria, Steve and I joined our good friends Dana Olsen, Shelly Goldstein and Stew Figa for a special one-night performance of “Mr. Olsen’s Neighborhood” at The Wilmette Theatre on June 14th. The show was made possible through the vision of another good friend and fellow NU alum, Nili Yelin Wronski, The Wilmette’s Director of PR and Marketing. Nili knows funny. (She’s a great entertainer herself!)
I had not shared a stage with Dana, Stewart or Shelly since our days at Northwestern – and it was as though the intervening three decades simply melted away in laughter and the joy of performance.
Shelly, Steve, Vic, Dana and the author. (Where was the great Stew Figa?)
We packed the house at The Wilmette Theatre – and the Chicago stage of my sabbatical tour was off to a great start.
Our choral salute to the legendary, corrupt, imprisoned Governors of Illinois. The great Stewart Figa stands second from right, next to the author.
The next night, Friday June 15th was the opening night of “The Vic & Paul Show” at The Beverly Arts Center on Chicago’s South Side in the neighborhood where Victoria was born and raised.
A front page article in The Beverly Review announced Vic’s return to her old stomping grounds — and the audience that gathered on opening night was swelled by her old classmates from Luther South High School, family members, and dozens of others curious to see the show that Victoria and her husband had come back home to perform.
Vic backstage at The Beverly Arts Center.
We’d done “The Vic & Paul Show” on Chicago’s North Side before – but this was our first time on the South Side. And by the time the curtain came down on our opening night show, we’d learned three basic things about Chicago audiences North and South.
— Boy-girl relationship jokes, comedy about marriage, getting drunk, and certain jokes below the waist are universal.
— Political jokes go over very differently on the North and South Sides. (Our biting, satirical song about the Republican Presidential candidates that knocked them dead at Mayne Stage in Rogers Park on the North Side? In Beverly — not such a laugh riot.)
— The South Side loves a good Catholic joke. In fact, nowhere on Earth (except, we would soon learn, Cleveland) would a reference to Saint Augustine get such a huge, knowing laugh.
Our two-weekend run at The Beverly Arts Center was off to a pretty good start – but it wasn’t over yet. Or was it?
Coming up next: Our run at The Beverly Arts Center continues – then it’s on to the wilds of northern Wisconsin and Cleveland’s Playhouse Square!
We measure our lives in years, but we experience life moment to moment. Some moments in time are more memorable than others. Some are unforgettable. And yet, even our most remarkable moments become generalized in our memories. Years later, we no longer see them in sharp focus. What we remember becomes wrapped in gauze: kept warm and fuzzy.
And then sometimes, even after three busy, event-filled decades, something can stir the memory of a special time in your life and you relive a moment you thought you remembered well — but hadn’t really seen clearly for a long, long while.
Recently, my good friend and college roommate Rob Mendel brought a wonderful moment in time back to life when he posted a vivid series of photographs he took in and around The Practical Theatre on Howard Street in Evanston, on the northern border of Chicago, in the winter of 1981-82.
The halcyon moment in time that Rob captured with his camera was charged with a mix of creativity and youthful energy that would ultimately – in just six more months – change our lives in an unexpected and dramatic way.
It would be, perhaps, too precious to say that Robbie caught us in the last relatively innocent and naïve moment of our young adult lives. But he did.
Asked for his recollections of how he came to take this trove of photos, Rob replied, “I can hardly remember! It was after traveling back to Evanston from Texas on the Big O with Rush, I think. “Beggars Holiday” was in rehearsal. We took publicity shots for that. But am I mixing it up?”
Not really. Beggar’s Holiday opened at The PTC’s John Lennon Auditorium at 703 Howard Street on November 28, 1981 – so Rob’s publicity photos must have been taken in early November, soon after we (The Sturdy Beggars) got back from our muddy stint at The Texas Renaissance Festival.
“The Rockmes were rehearsing, I had my camera with me. I took pix of the Beggars in Texas and again in Evanston.”
Now, here Rob’s memory begins to fade.
Rob’s photos of The PTC’s house band Riffmaster & The Rockme Foundation in rehearsal at the JLA were clearly taken after Beggar’s Holiday closed and our 1982 season opener, the improvisational comedy revue The Brothers Bubba, was in rehearsal.
You can tell because I’ve shaved my beggar beard.
So, Rob’s photos of the Rockmes in rehearsal must have been taken in the first months of 1982 – exactly 30 years ago!
The band was formed late in the spring of ’81, and had been playing together less than a year when these shots were snapped.
Looking at the eager, earnest, passionate (and hairy) young garage band that Rob got on film that day in the winter of ’82 – it’s deeply satisfying to know that the Rockme adventure has continued.
In fact, the band shown in these pics is the same group of guys that still manage to reunite and rock together to this day.
Next gig? June 8th in Portola Valley, California. The beat goes on…
“Mo was two. I took her to the playground a couple of times… Used to chant, “She’s still a baby!” and she’d respond, “I’m not a baby!” She was the cutest thing!”
Okay, these photos just melt my heart. My daughter Maura was, indeed, the cutest thing. Little Mo was less than two years old at the time. (She turned two on July 3rd, 1982.) Rob snapped her in the lobby of The John Lennon Auditorium – with the “Build-a-Bear” that my mom made for her.Rob also shot this portrait of Maura in the lobby of the JLA with her Godfather Rush Pearson.And with Uncle Brad Hall, our mascot Sri Abdul Aziz, and Godfather Rush.Here’s the delightful toddler Maura with her dad a few doors west up Howard Street from the JLA at the legendary Cottage Restaurant, a classic diner. We’re waiting for old Bob to serve us a couple “chezzies” and a “shooker”. (Six months later, a UPI reporter would interview the cast of The Golden Jubilee at The Cottage to get the story of our sudden, shocking ascent to Saturday Night Live.)
Robbie’s camera also found us in rehearsal for The Brothers Bubba.
In this photo, Gary Kroeger, Jane Muller, your author, Rush Pearson and Brad Hall are rehearsing the musical number, “Macaroni & Cheese.”
In these photos, Brad and I are perfecting our impression of Simon and Garfunkel performing “The Boxer” — another sketch from The Bothers Bubba.
The Bothers Bubba openedat The JLA on April 1, 1982 and became the PTC’s biggest hit yet, playing to sold-out houses that demonstrated our 42-seat storefront was too small to contain our rapidly growing success.
Events were moving quickly, success was advancing swiftly, and as Bob Dylan said, the times they were a-changing.
Less than half a year after Rob’s photos were taken, the Practical Theatre Company, in partnership with Bernie Sahlins, owner of The Second City, opened our new cabaret theatre space at Piper’s Alley with The Golden 50th Anniversary Jubilee — a collection of our best sketches and songs performed by Brad Hall, Gary Kroeger, Julia Louis-Dreyfus and your humble author.
Robbie Mendel’s camera caught the spirit and drama of an unsuspecting cast of characters doing what they love – with no idea of what was to come.
“I remember that I had bought a camera, because the rental house I was working at in Hollywood had a bunch of guys who mentored me to get a camera and learn how to take pictures properly. I was using B&W for publicity pix for the Beggars, I believe, and that’s why they are not in color.”
Who cares about color? The classic black and white format adds to the drama of these memories: a glorious moment in time – just half a year before our lives were transformed — captured so indelibly by Robbie Mendel’s camera.
“When I returned to Hollywood, I landed my PA job on the TV movie with Susan St. James and I laid a publicity packet about PTC on Dick Ebersol there, but I think the PTC got on his radar separately, also. These pix preceded all of that, eh?”
That’s Rob Mendel for you. I never knew (or maybe I’d forgotten) that Robbie had hipped Saturday Night Live Executive Producer Dick Ebersol to The Practical Theatre just months before The Golden Jubilee opened at Piper’s Alley.It’s another intriguing brick in the wonderwall of that seminal moment in our lives.
There will be no better place to be this New Year’s Eve than in Evanston, Illinois – that little college town just north of Chicago.
But why party in Evanston? Why not Paris, or Rome, or the Greek island of Santorini? Why not join the throngs in Times Square – or at Monty’s Steakhouse in Woodland Hills?
The fun begins at 8:00 PM with a one-hour comedy variety revue for the middle ages — hosted by screenwriter/comedian Dana Olsen, and featuring yours truly and my wife Victoria Zielinski of “The Vic & Paul Show”; our tall, blonde friend and fellow Practical Theatre founder, Brad Hall; the great Steve Rashid tinkling the ivories; Rockin’ Ronny Crawford hitting the rim shots on drums; and narrated by Stewart Figa, who will also grace the show with his powerful singing voice.
Then, at 10:00 PM, the kids (of all ages) will start jumpin’ when Riffmaster and The Rockme Foundation take the stage for two sets of classic rock & roll and original songs written by a bunch of guys who grew up listening to the best records ever made and played on the radio. Wit, harmony, the big backbeat — and passionate guitar playing that would make Chuck Berry proud of his children.
After Riff and the Rockmes ring in the New Year, a DJ will keep the dance floor jumping until 2:00 AM.
Valet Parking is available.
Paul's Voyage of Discovery & Etc. 