I love Glen Campbell — and so does legendary radio Dee-jay and TV host Wink Martindale.
Wink knew Glen very well.
Here’s Wink’s recent tribute to the guitar-shredding troubadour of Delight, Arkansas.
Take a listen.
I love Glen Campbell — and so does legendary radio Dee-jay and TV host Wink Martindale.
Wink knew Glen very well.
Here’s Wink’s recent tribute to the guitar-shredding troubadour of Delight, Arkansas.
Take a listen.
The significance of December 7, 1941 is something that most of our parents do not need to be reminded about. It was a shocking, indelible moment for them, much like September 11, 2001 was for another generation of Americans. I don’t want to spend time here comparing those two disastrous attacks: one by a hostile state, the other by a handful of extremists. That’s for another time, another post.
This is a day of remembrance.
There are not many veterans of Pearl Harbor still with us. Not many left who saw the Japanese planes diving out of the sky, felt the concussions as great battleships shuddered, burned, and sank. Not many left who can stand on the observation deck of the USS Arizona Memorial, gaze at that sunken iron tomb and say, “I knew a guy who went down with that ship.”
On December 7th, we remember what was lost at Pearl Harbor: the lives, the ships, the planes – our national innocence.
But on this day, we should also remember the miracle of Pearl Harbor: the incredible effort that raised so many of those ships from the bottom of the harbor, patched them up – and sent them back into the fight. Only three of the ships that were bombed in Pearl Harbor on that day of infamy were forever lost to the fleet.
And of the 30 ships in the Japanese fleet that attacked Pearl Harbor, only one survived the war without being sunk.
The dynamism, optimism and resolve displayed by those military crewmen and civilians who, within months, raised and repaired the devastated wreckage of Pearl Harbor are qualities that Americans must call on once again to overcome our national challenges. Would that our leaders would spend less time sowing the fear of future attacks – and more time appealing to the better angels of our national identity.
“Can do” was the unofficial motto of the Seabees, the legendary Navy outfit that led the reconstruction effort at Pearl Harbor.
Where’s that American “Can do” spirit now?
P.S. Click here for a WWII-era Pearl Harbor song I found online. It may seem a bit too upbeat at first, but in the context of our ultimate victory at Pearl Harbor, it’s not too bouncy after all. It’s got that confidence and “Can do” spirit.
P.S.S. On this day, let’s remember one of the great WWII POW escape artists. If you have any pals who love The Great Escape or Shawshank Redemption, please point them toward the story of William Ash: Texan, RAF pilot, POW — and a guy who escaped the Nazi prison camps 13 times!
He’s the guy that inspired Steve McQueen’s character in The Great Escape.
Amazon link: http://www.amazon.com/dp/1481088858/
Kindle ebook: (free to Prime members) http://amzn.com/B00AF4I0K8
Comments from authors on UNDER THE WIRE:
What a splendid book! A young Texan brought up in the middle of the Depression who pulls himself up by his bootstraps, thereafter hikes to Canada to fly Spitfires for the Brits while America is still neutral. Just as the U. S. enters the war, he is shot down, and another exciting and terrible episode in his life begins. Living under terrible conditions he makes several attempts to escape until he finally succeeds in saving himself and many of his fellow POWs. This is a moving and heroic story of a young man who overcomes all obstacles with a sense of humor and succeeds in the end. Hollywood should snap this book up in a flash. Buy it, read it, enjoy it.
Charles Whiting, author of Hero: Life and Death of Audie Murphy
UNDER THE WIRE is a well-written and exciting memoir of wartime captivity that is packed with incident and vividly recreates the oft-neglected early days of Stalag Luft III and the now forgotten mass escape from Oflag XXIB, Schubin — a sort of dress rehearsal for the famous Great Escape. The author himself is one of the great unsung heroes of the Second World War, as are some of those whose adventures he records in this remarkable book. It also makes a refreshing change to read a memoir by someone who is politically literate and knew exactly what he was fighting against and what he was fighting for.’ There are passages in this book – particularly those concerning the political awakening of POWs and their determination to create a better post-war world – that make the reader want to stand up and cheer.
Charles Rollings, author of Wire and Walls, Wire and Worse
UNDER THE WIRE is everything I would expect from a memoir by Bill Ash — fast-paced, exciting and moving, but also colored by his mischievous sense of humor. He has a real gift as a storyteller — the characters and events come off the page as if we were meeting and experiencing them ourselves. Bill Ash was one of the great escape artists of the Second World War, and always managed to put himself in the centre of the action. He endured a lot, but never lost his essential humanity and zest for life, something that comes through very strongly in his book. That’s what makes UNDER THE WIRE such a joy to read — getting to know the irrepressible Ash and reliving his adventures with him.
Jonathan Vance, author of A Gallant Company: The Men of the Great Escape.
Memphis, Tennessee is the birthplace of rock and roll. It’s where the King of Rock & Roll lived and died. It’s where the Delta blues stopped for a drink on Beale Street before heading up to Chicago. And it’s where my late brother Peter managed the city’s finest luxury hotel, The Peabody. So, let’s celebrate Memphis in song…
1. Long Way from Memphis (The Automatics)
This cut is by a band of English ex-pats living in Los Angeles. The drummer (Paul Crowder) is friend of mine. He’s also a great video editor. I met him while working on “Behind The Music”. Saw him and the band play live at a club in Los Angeles and they opened with this fine rock & roll tune – which includes an Elvis sighting in Kalamazoo.
2. All the Way to Memphis (Mott the Hoople)
For years I loved this song – but I had no idea what Ian Hunter was singing about. The song was my favorite on the 1973 album “Mott”, which was the follow-up to “All The Young Dudes.” Listening to the song over and over, I can now tell that it’s about Hunter losing a guitar and having a hard time getting it returned to him. Never knew there was an Oriole, Kentucky – but it’s lucky for Ian, because Oriole rhymes with Rock & Roll if you pronounce it that way. The song’s best line? “It’s a mighty long way down rock ‘n’ roll, from the Liverpool docks to the Hollywood Bowl.”
3. I’ve Been to Memphis (Lyle Lovett)
Of course Lyle Lovett’s been to Memphis. This song, like so many songs with a Memphis connection, mentions a lot of other towns – and women – along the way. I love the honky-tonk feel of this one.
4. Memphis In the Meantime (John Hiatt)
John Hiatt ditches Nashville so he and his lady can “get good and greasy” in Memphis. The band on this track is an all-star group: Hiatt (acoustic guitar), Ry Cooder (electric guitar), Nick Lowe (bass) and Jim Keltner (drums). Nice company, huh? Ronnie Milsap, it’s your loss.
5. Graceland (Paul Simon)
While John Hiatt goes to Memphis to enjoy the down and dirty rhythm and blues with some boozy babe, Paul Simon is traveling on a pilgrimage seeking benediction and redemption. The title track of one of Simon’s greatest albums, it has some of his finest lyrics – and Simon nails the allure and power of Memphis and The King’s mansion. I have just one quibble with Simon. The Mississippi delta can surely shine like a National guitar – but it’s not “the cradle of the Civil War.” That infamy belongs to South Carolina. Just ask General Sherman’s troops.
6. I’m Going to Memphis (Johnny Cash)
The Man in Black got his start in Memphis with Sam Phillips and Sun Records: part of the Million Dollar Quartet of Elvis Presley, Jerry Lee Lewis, Carl Perkins, and Johnny Cash. In this song, credited to Alan Lomax and associated with Memphis Slim, Johnny is journeying to Memphis to see and do a lot of strange things. I don’t think Johnny’s on the same holy pilgrimage that Paul Simon is going on.
7. Going Back to Memphis (The Levon Helm Band)
The whole thing is a party, led by Levon at his gravelly best.
One of rock and roll’s best examples of a guy who can lead a band from behind his drum kit, Levon takes another journey through song to the great musical Mecca on the Mississippi.
8. Memphis (Chuck Berry)
“Long-distance information, get me Memphis, Tennessee.” Thus, Chuck Berry begins one of the most oft-covered tunes ever written about Memphis. Chuck says he recorded this one at his office in St. Louis on an $80 Sears Roebuck reel-to-reel. (Although $80 was a lot of money in those days.) With its surprise ending, in which we learn that “Marie is only 6-years old,” this is one of those perfect rock and roll songs that Chuck Berry churned out so magically in the 1950’s. It’s another reason we’re all Chuck’s children.
9. Guitar Man (Elvis Presley)
This is a great comeback Elvis track, proving that the King of Rock & Roll had survived Hollywood and emerged with his voice and flawless sense of rhythm and dynamics intact. Jerry Reed, who wrote the song (and could also play guitar like a-ringin’ a bell) had a minor hit with the tune in 1967 — but Elvis’ cover (with Reed on guitar) became a chart topper. Recorded in Nashville in the late 1960’s, it was re-remixed and re-released four years after The King’s death, scoring him a posthumous #1 hit on the country charts in 1981.
Here’s a clip from the ’68 Comeback Special. There’s some fun stuff at the top, then Elvis tears into a bit of “Guitar Man”, proving he’s still the King of Rock & Roll.
10. Johnny Bye-Bye (Bruce Springsteen)
In this short, dark and complex song, Bruce ties Elvis Presley and Chuck Berry together. The Boss starts out with the opening lyrics of Chuck’s “Bye Bye Johnny,” (“She drew out all her money from the Southern Trust, and put her little boy aboard a Greyhound bus”) then pivots to a meditation on the death of Elvis, from his rise to stardom (“Leaving Memphis with a guitar in his hand, a one-way ticket to the promised land”) to his death at Graceland (“They found him slumped up against the drain, a whole lot of trouble running through his veins”).
11. King’s Call (Phil Lynott)
Another musical meditation on the death of Elvis Presley: this one’s a deeply personal tribute by Thin Lizzy’s lead singer, Phil Lynott – who also died tragically young, passing away at the age of 36 in 1986. “King’s Call” is a track from Lynott’s first solo album – and if the guitar playing sounds familiar, that’s because Dire Straits’ Mark Knopfler sat in on guitar and backing vocals. I love this tune.
12. Memphis Monday Morning (Bobby “Blue” Bland)
As Phil Lynott sang in the previous track, “It was a rainy night, the night The King went down.” So perhaps Mr. Bobby Blue Bland is singing about that very night, as he takes us through this jazzy, bluesy walk through the late night/early morning streets of Memphis. Along the way, he name checks my brother’s hotel and several other Memphis locations. The musicianship on this track is awesome: a little cool jazz mixed with the blues for all you classy cats.
13. Big Train (From Memphis) (John Fogerty)
The great John Fogerty’s tribute to Sam Phillips and Sun records is dominated by the train imagery evoked in so many songs from and about Memphis. (By the way, I had the honor of meeting Sam Phillips in the late 1990’s when I interviewed him for Rick Nelson: Behind The Music. We sat at the same Formica kitchen table in Sam’s Memphis house where he sat with Elvis when he told the future King of Rock & Roll that he was selling his contract to RCA. No brag, just fact.) This song was on Fogerty’s hit 1985 “comeback album” Centerfield, and was covered the next year by the living Sun Records legends: Johnny Cash, Jerry Lee Lewis, Carl Perkins and Roy Orbison. Alas, only The Killer is still with us at the age of 79.
14. Night Train To Memphis (Dean Martin)
Somehow, Dean Martin makes everything he does sound groovy and utterly cool.
Given that Dean was one of Elvis’ biggest heroes – and that Elvis tried to emulate Dino’s sound – it’s only fitting that the King of Cool have his spot in this Memphis themed lineup.
15. Stuck Inside of Mobile With The Memphis Blues Again (Bob Dylan)
In this fabulous track from Blonde on Blonde, Dylan puts together perhaps the greatest word collage in the history of rock & roll. And among all those words, he keeps referring to “the Memphis blues”, which he obviously has again – though he (and Jerry Reed’s guitar man) are stuck in Mobile, Alabama at the time. If this song had been sung by Ian Hunter it would be completely incomprehensible, but Dylan makes the words quite clear even if the meaning is elusive. Who cares? It’s great. It rocks. And it’s the last tune on this tribute to Memphis, Tennessee – the birthplace of rock & roll.
I don’t know where my life would have gone if the great Sheldon Patinkin had not walked into a small storefront theatre on Howard Street in Evanston — and took my silliness seriously. Sheldon didn’t just change my life. He changed generations of lives. I will miss him every damn day. But, in essential ways, he will always be with me. And he’ll be with Victoria and all of the thousands of creative people whose lives he touched.
We worked to meet his expectations because he was Sheldon. And we did not want to disappoint him. His laughter was the coin of the realm.
Sheldon Patinkin was funny and wise and warm and the very best humanity has to offer.
And now he’s gone?
Sheldon would have something funny to say about this.
I am at a loss.
We’ll always love you, Sheldon. And we’ll never forget you.
Here’s a bit of delightful musical merriment from Ms. Maura — my sweet, talented daughter!
I know there’s a lot going on right now in Iraq and Syria and the Ukraine and Gaza and Ferguson, Missouri – but there’s not much I can do about those intractable geopolitical situations. I’ll let prudent, deliberative President Obama and his national security team sort out America’s proper role in all that madness.
But there is one source of national shame and outrage that I must address here and now…
I’m a Cleveland boy, and the Rock & Roll Hall of Fame is a shining jewel on our downtown lakefront — but that only makes such an injustice a more personal matter.
Tommy James & The Shondells have been waiting since 1991 to get that call from the Hall. For 23 years, they’ve had to endure the enshrinement of acts like Abba, Donna Summer and Madonna in an institution supposedly devoted to rock and roll – while the group that gave garage bands around the world rock classics like “Mony Mony” and “Hanky Panky” is continually and criminally passed over.
At this year’s Hall of Fame induction ceremony, Rage Against the Machine’s lead guitarist Tom Morello – a man whose shredding virtuosity and politics I admire – made a convincing case for why Kiss had a rightful place in the Rock Hall. But while Kiss may have blazed a trail for visual and musical bombast and pyro in arena rock – their sound and fury signify nothing like the string of hits that Tommy James and his band delivered in the late 1960s.
Besides their two #1 hit single in the U.S. – “Hanky Panky” in ’66 and “Crimson and Clover” in ’69 — Tommy James & The Shondells charted twelve other Top 40 hits, including five in the top ten. Remember a platter entitled “Crystal Blue Persuasion”?
How about 14 Top 40 hits during the greatest period in rock and roll radio history? All while competing with The Beatles, The Rolling Stones, The Who, The Kinks, Creedence Clearwater Revival, James Brown, Sly & The Family Stone – and those Motown artists cranking out classics in Hitsville, USA.
All of those great rockers are in the Hall of Fame — so, why not Tommy James & The Shondells?
And I don’t want to hear that Tommy James was “bubblegum”. Please. When was the last time you listened to “Mony Mony” or “Draggin the Line”? Guitars. Groove. Harmony. Drive. Horns. Hooks. Lots and lots of classic rock and roll hooks.
Tommy James & The Shondells should go into the Rock & Roll Hall of Fames very next class or the whole institution is a sham.
I can wait no longer.
I’m just going to enshrine Tommy James & The Shondells here and now.
I’m announcing The Rock & Roll Hall of Fame Class of 2015 (if there were any justice in this freaking world):
Tommy James & The Shondells — Eligible since 1991
Chicago — Eligible since 1994.
Actually, the Chicago that most deserves to go into the Rock Hall is the first incarnation of Chicago. The first version of Chicago was the band that was politically progressive and rocked harder than the late 70s and 80’s version – before their bluesy lead guitarist, Terry Kath died in January 1978 from an accidentally self-inflicted gunshot wound. (Some say Russian roulette.)
That was the band that got me out to Blossom Music Center during my high school days to enjoy some of the first rock concerts I ever attended.
My favorite Chicago song during this period was “Dialogue (Part I & II) – a charged musical debate between a politically active guy (sung by Kath) and an apathetic college student (sung by Peter Cetera). Listening to that song now makes we weep for the current state of music on the radio. Remember that chorus? “We can make it happen…”
The same thing happened to another Chicago band, Styx, when Dennis DeYoung’s ballads became hits – and smothered the rock in syrup. But the chicks dug it. And the arenas filled up.
In fact, Chicago had more hit singles in the US during the 1970s than anyone else.
And they scored five #1 albums and 21 top-ten singles.
Put ‘dose Chicago boys in ‘da Hall.
The Doobie Brothers — Eligible since 1996:
I remember with great humility the day in 1972 when my fellow Cleveland Central Catholic freshman (and soon to be band mate) Ed Dougan and I were discussing The Doobie Brother’s first big hit, “Listen to the Music”. I opined that The Doobie Brothers sounded like a one-hit-band to me.
For the next four years, The Doobie Brothers gave Eddie Dougan reason after reason to remind me how absolutely wrong I was – as songs like “Jesus is Just Alright”, “Long Train Running” and “China Grove” poured out of our radios and rocked up the charts, culminating in their inescapable, utterly sing-able #1 hit, “Black Water”.
With McDonald singing lead, songs like “Takin’ It to the Streets” and “What a Fool Believes”, topped the charts in the US – and made Eddie Dougan smile once again, remembering what a fool I was.
Green Day — Eligible in 2014
If Green Day isn’t drummed into the Hall at its 2015 Induction Ceremony, then the whole building should just slink shamefully into Lake Erie.
Green Day has sold more than 75 million albums and singles worldwide. There’s no reason to wait.
Put those punks in the Hall.
If these next two deserving honorees continue to be snubbed by the Rock & Roll Hall of Fame – Southern Californians and fans of surf rock should get Eric Von Zipper to bust some heads.
Jan & Dean — Eligible since 1985
Without Jan and Dean there are no Beach Boys. It’s as simple as that. Beginning in the late 1950s, Jan Berry and Dean Torrence established much of what became the California surf rock sound, featuring big waves, hot rods, and girls, girls, girls.
Brian Wilson looked up to Jan – who was a studio production whiz kid – as a musical big brother. And that’s Dean’s falsetto on the Beach Boy’s party classic, “Barbara Ann”. (Carl Wilson says, “Thanks, Dean” at the end of the track.) Jan & Dean were cool. So cool they were chosen as the hosts of the legendary T.A.M.I. Show in 1964.
Shades of “Dead Man’s Curve”.
“Little Old Lady from Pasadena” went to #3 – and “Surf City” — the joyous anthem of surf rock — went all the way to #1 promising “two girls for every boy”.
Two girls for every boy? That’s reason enough to put Jan & Dean in the Rock & Roll Hall of Fame.
And do it while 74-year old Dean can still get onstage and sing.
Dick Dale — Eligible since 1987
Dick Dale is the The King of the Surf Guitar. He pioneered the surf music style, experimenting with reverb – and worked with Leo Fender to push the limits of electric amplification. (Riffmaster Van Wagner owes Dick Dale an unpayable debt for producing “thick, clearly defined tones” at “previously undreamed-of volumes.”
And it wasn’t just upping the volume in rock and roll that makes Dick Dale Hall-worthy – it’s also his style and technique. Just spin “Let’s Go Trippin’” – often called the first surf rock song – or “Jungle Fever” or “Misirlou”.
Like Chuck Berry before him, generations of guitar shredders copied Dick Dale’s licks.
And it should be done while Dick Dale can still perform — thrilling us with his pioneering sound.
The Monkees — Eligible since 1991
The Monkees should be in the Rock & Roll Hall of Fame. Hell, The Beatles respected The Monkees – so why should anyone else deny their undeniable greatness?
Morons who I have little patience for say The Monkees were a fabricated band – “The Pre-Fab Four” — surrounded by studio musicians. I know for a fact that The Beach Boys, The Mamas & The Papas, and others in the Hall of Fame were backed by the very same group of studio cats: the Wrecking Crew. So, what?
Hold on. I said I wasn’t gonna argue.
At their peak in ‘67, The Monkees outsold The Beatles and Rolling Stones combined. 12 Top-40 hits, three #1 hits — and a TV show that brought melodic, witty, well-written and beautifully sung rock and roll music (and surprisingly subversive comedy) into homes across America.
“Last Train to Clarksville,” “I’m a Believer,” “Daydream Believer,” “Pleasant Valley Sunday” and “(I’m Not Your) Steppin’ Stone”. That’s just five.
And now I’m really not gonna argue any more.
The Rock N Roll Trio — Eligible since 1981
“Rock Billy Boogie”, “Rock Therapy”, “Train Kept A-Rollin”, “Honey Hush”, “Tear It Up” – Johnny Burnette and the Rock & Roll Trio served up fundamental, elemental, essential rock and roll.
Sorry, Kiss, this is rock and roll with real heart and soul.
I don’t give a damn what hits they had or where they charted.
When I need rock therapy. They give it to me.
They should be in the Rock & Roll Hall of Fame.
So, if you’ve caught her wild, wonderful takes on airplanes, miracles, the World Cup, Animal Planet, and why she can never watch “The Lion King” again without a shudder of horror – then you’ll want to hear what Emilia’s gonna say next!
Tickets are available at: http://hollywood.thecomedystore.com/show.cfm?id=331978&cart
And remember – don’t forget to tell them you’re there to see Emilia!
Hope to see you there. I’ll be the guy sitting in the house with two Chardonnays and a big, happy grin.