Category Archives: Beauty

32 Days Until the Funny Starts…

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My First Novel: Chapter Four

Thanks, folks. Having reached 70 “likes” — I now present Chapter Four of my serialized first novel. You can read all four chapters at once by going to “Landmarks” on the right side of the blog and clicking on “My Novel.” When we get to 90 “likes”, I’ll post Chapter Five.

Chapter Four

Mike found the nearest phone booth and called The Los Angeles Times. He tracked down the reporter who wrote the article on the Murphy’s Ranch bust. Luckily, Burt Abernathy was still on staff and thrilled to get Mike’s call. It was one of the oddest stories he’d ever covered, and he hadn’t spoken to anyone about it for nearly a decade.

“Why the sudden interest in Murphy’s Ranch?”

Mike was slow to answer. How could he tell this newspaper hack about seeing a message light up on the screen of a weird, glass and metal device straight out of science fiction?

“My dad was in the landscaping business in Malibu. He knew some guys that did gardening at this compound deep in Rustic Canyon. He said they were always tight-lipped about it.” Mike was lying, of course, but it was a plausible lie. “I was at the library today and I came across your article. I thought, maybe this could be the same Murphy’s Ranch my dad told me about.”

“Sounds like it,” said Burt. “That little Nazi cabal loved their gardening – both for raising food and for the aesthetics. They built raised gardens, planted fruit trees, and hired guys like your dad’s buddies to do the work. Winona and Norman Stephens were very wealthy. I’ve seen the blueprints for the huge mansion they were planning to build there.”

“The Stephens were convinced by a Nazi buddy named Herr Schmidt that when Hitler’s Germany conquered Europe, America would descend into anarchy. So, the Nazi true believers needed a hideout from which to plot the ultimate Nazi takeover of America. Sounds crazy, right? But so did a Japanese surprise attack on Hawaii.”

Mike thanked Burt for the info and got the site’s precise address on Sullivan Ridge Road in the Palisades. Hanging up, he glanced at his watch. He now had about seven and a half hours before 8:00 pm. It crossed his mind to ask his few remaining pals on the police force for some help. But help with what? Given how nuts this whole thing was, Mike knew he had to go it alone. At least for the time being. But first, he headed to Zack’s for lunch — and a date with his romantic destiny.

The ring he’d just bought was burning a hole in Mike’s pocket and his heart was racing as he walked into Zack’s. Gloria was right where he hoped she’d be, behind the bar, keeping things tidy. There was an open barstool right next to where she was working. Mike took it as a good omen.

“They’re finally gonna give it to Bogie!”

“They should give it to Fredric March. Bogie should’ve gotten it for Casablanca.”

Abe and Iggy were also where they belonged, their ongoing argument now focused on the Academy Award nominations.

Mike was glad Bogie might finally win Best Actor. He didn’t see many movies, but he never missed one with Humphrey Bogart. It wasn’t just a private eye thing. Bogie was great with women. He played the kind of bold, confident lover Mike wished he could be. Bogie would’ve asked Gloria out a long time ago. He’d walk right up to her, give her the ring, and pop the question without a lot of hemming and hawing.

Taking his stool, Mike felt for the small box in his pocket and found it. Finding his courage was another matter. Gloria smiled warmly as she leaned in to take his order.

“Some lunch today, Mike?”

“Yes. Anything special today?”

“Well, you’re kind of special.”

Mike’s heart leapt. Did his goddess just call him special? Was this the moment to pull out the ring? Should he wait a beat? Maybe eat first — then propose?

Gloria let him off the hook. “Take your time, honey,” she said, walking away. “By now, you know the menu better than I do.”

What followed was the longest ninety minutes of Mike’s life. He ordered a burger and ate it without tasting anything. Gloria had just flirted with him, so why couldn’t he follow up with some playful remark of his own? His mind was on the ring in his pocket, all the things he hadn’t told Gloria, and everything he wanted to say now. He ached for her. Was he moving too fast? Maybe. But is there ever a perfect time to declare your love? He was truly bad at romance. Where’s Bogie when you need him?

Mike glanced at the clock above the bar. It was getting close to 3:00. This late in the year, the sun would be setting by 5:00. It was already an orange orb hovering just above the horizon, getting ready to sink below the Pacific Ocean. It would be hard enough to find Murphy’s Ranch in the light of day, let alone in the dark. Mike had to get moving if he was gonna be there on time. On time for what? Who knew?

When Gloria came to pick up the check, Mike did the most impulsive thing he’d ever done in his life outside of a battlefield. Taking hold of Gloria’s hand, he looked her square in the eye.

“Hang on a minute, gorgeous.”

He took out the ring box and placed it on the check. “This isn’t a tip. It’s just a little something I want you to have.”

Gloria’s eyes widened. Mike wasn’t sure she fully grasped the meaning of the moment, but rather than say anything more, he waited for what she’d do or say next.

“Oh, Mike. Is that what it looks like?”

Mike blushed like a schoolboy giving his first Valentine. “Open it and see.”

Gloria opened the box, saw the ring, and – to Mike’s joy – her eyes sparkled like the gems she beheld. “Mike! It’s beautiful. I…I don’t know what to say…”

Mike hung on her next words, but they didn’t come. Was it his turn to speak? Of course it was. There was a question he needed to ask. He spoke in what he thought was a hush – but he might have been broadcasting to the entire bar.

“Gloria, darling. You must know I love you…”

“What’s going on over there?” Iggy wanted to know. Abe told him to pipe down.

“Mike’s got some business with Gloria. It doesn’t concern you.”

“I wondered when he’d grow some balls,” said Iggy. “Looks like tonight’s the night!”

Abe slugged Iggy in the arm.

It was just background noise to Mike and Gloria. They looked at each other with months of unspoken thoughts and feelings — pent up and ready to flow. Mike still hadn’t asked the big question. The Marines had been a cakewalk compared to this. Then he said it.

“Gloria. Will you marry me?”

She didn’t seem surprised by the question. She held his gaze. “Oh, Mike. You’re a darling. And I’m flattered. I truly am. But shouldn’t we go on a few dates first? My mom’s been saying you like me, but you’ve never really made a move. And now this…”

Mike’s embarrassment was growing — and Gloria must have known it. She put her hand to his face, gently brushing the hair out of his eyes. “I really like you a lot, Mike. A whole lot. But let’s do this like normal people, okay? You’re not going off to war. I’m not going anywhere, either. We have time.”

Then she leaned over the bar and kissed him. Not on the cheek, but square on the lips. Tenderly. With no hesitation. It was like an electric charge. Mike’s heart nearly sprang from his chest.

“Keep the ring, baby,” he managed to say.

“I’ll give it to my mom for safe keeping,” Gloria replied with a smile, blushing and more beautiful than ever. “Until I’m sure I’m as crazy about you as I think I am.”

With his heart in his throat, Mike managed to ask. “Want to go to a movie tomorrow night?”

“That’d be a good start,” Gloria said, beaming. “A totally normal date.”

“Is there anything you want to see?”

“Gene Kelly’s in An American in Paris at the Aero in Santa Monica. I hear it’s really good.”

“That’s a musical, right?”

“It’s Gene Kelly, silly. Of course, it’s a musical. Honestly, Mike, you’re so damned cute. You’re my mystery man. I’ve still got a lot to learn about you.”

Mike didn’t know how to respond to that. Gloria had just said a lot of stuff at once. It all sounded encouraging. Maybe. It was his turn to say something, but Gloria let him off the hook.

“I get off work at 6:00.”

“I’ll see you then, doll.”

Mike wanted to seal the deal with a kiss – but not with Abe and Iggy watching. He thought of channeling his best Bogart and saying, “Here’s looking at you, kid” — but that would’ve made a mockery of this sacred moment. Instead, he smiled at his intended like the cat that ate the canary, tipped his hat to Gloria, turned on his heel with what he hoped was the grace of Gene Kelly, and sailed out the door to Abe and Iggy’s applause.

In the parking lot, Mike struggled to focus on what he was going to do next. “Murphy’s Ranch. 8:00”. He got into his car and caught one more glimpse of Gloria, talking to her mom, showing her the ring.

Mike was on the verge of being the luckiest guy in the world. He hadn’t felt this good since before the war. But now, he was headed to a meeting that might not even happen. A meeting to which he wasn’t invited. In a place he’d never been before. A secret Nazi hideout at that.

He felt for the strange metallic object in his pocket. Should he just forget about the whole thing? Just go home and plan for his first date with Gloria?

Conflicting thoughts banged around Mike’s head as he drove out of Zack’s parking lot onto PCH — and headed up into the Palisades toward the ruins of Murphy’s Ranch.

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My First Novel: Chapter Three

Thanks, folks. Between my Facebook page and Blog we’re at a combined total of 50 “likes”, so here’s Chapter Three. Please note that on the right hand side of my Blog there’s a menu called “Landmarks”. There you’ll find a listing for “My Novel”. Click on that and you’ll see all three chapters in sequence. It’s easier to read that way. I’ll update “My Novel” as we go until the whole book is in there. Now, when we reach 70 likes, I’ll drop Chapter Four. Thanks for reading!

Chapter Three

Mike woke up in his parked car the next morning with a hangover from all his birthday beers. The storm had arrived just before sunrise and the rain was pounding on the roof of the car, running hard off the Spanish tile roof of his beachfront apartment building, streaming along the gutters and down the spouts, spilling over the drains, and flooding the courtyard. That’s southern California. No rain for months. Then you get clobbered.

Mike pulled his jacket over his head and ran up the steps to his apartment, getting drenched before he finally managed to open his door and collapse on the couch — soggy and sore-necked from snoozing behind the wheel. He hadn’t slept well. Drunken dreams of Gloria contended all night with nagging questions about the strange device he’d found and the meaning of “Murphy’s Ranch Thursday night 8:00.”

He took the mystery object out of his pocket and examined it. It was now Thursday morning, so if today was the Thursday in the message, maybe he still had time to learn something about this mystery before 8:00 that night. Nobody was paying him to work a case at the moment, so why not look into this weird device and its cryptic message?

But first, he was determined to buy that engagement ring.

He got himself cleaned up, put on one of his better suits, and got back on the road. The storm had died down, and the light rain falling over the bay in the morning sun created a rainbow, as Mike drove down to Santa Monica where he knew a jeweler he could trust.

Mike didn’t know a damn thing about jewelry or gems. He didn’t own anything more precious than a fifty-dollar Longines wristwatch. But he’d gotten to know Albert Borroni a few years ago when his store on Wilshire and Third Street was robbed. Mike and his partner nabbed the burglars trying to fence a dozen diamond rings. An accomplice they cut out of the deal ratted them out. Albert was grateful for the swift justice – and he and Mike had been pals ever since. At least as much of a pal as antisocial Mike had.

Mike stepped out of the drizzle and into Al’s jewelry store. He caught the proprietor’s attention, they exchanged greetings, and Mike got down to business. Al was thunderstruck.

“You’re looking for an engagement ring? You? Amazing! You mean to tell me the lone wolf has formed an actual attachment to another human being?”

Albert’s surprise and sarcasm were justified. He’d never talked to Al about having so much as a date. Fact is, Mike didn’t date much at all. There was nothing wrong with his sex drive, but Mike couldn’t make small talk to save his life. He didn’t want to talk about the war, his life as a cop, or his career as a private dick. That didn’t leave much to chat about over dinner and drinks. Professional girls didn’t require conversation. But with Gloria it was different. He wanted to tell her everything.

“You got a budget for this ring, Mike?”

“A hundred fifty bucks.”

“Wow. Big spender!”

“Too cheap?”

“Don’t be an ass! I can show you some nice rings at that price.”

Albert showed him a variety of rings, some with diamonds, some with rubies and other stones. “Look at this one,” he said, “It’s one of the rings those bastards stole, and you guys got back.” Mike took the ring and examined it — not that he had any idea what to be looking for. “It was made in the early 1920’s,” Al explained. “It has a nice little diamond, flanked by two blue sapphires. And the setting is classic Art Deco. She’ll love it.”

Mike didn’t know Art Deco from Art Carney. “I’ll take it,” he said.

“An excellent choice, my gumshoe goombah.” Albert rang up the sale. “Is there a date for this wedding?”

“Tell you the truth, Al. I don’t even know if there’s gonna be a wedding. But I’ve got the ring – so that’s a start.”

Albert put the ring in a box and handed it to Mike. “She must be a special girl. You, my friend, are not for all markets.”

“I’ll let you know how it works out,” said Mike, pocketing the ring as he strode to the door. “Wish me luck.”

“My wife and I will pray a rosary. Hell – we many even sponsor a novena!”

Al Borroni was chuckling to himself as Mike hit the pavement, pleased with his purchase. If his courage didn’t fail, Mike would pop the question to Gloria tonight. He wondered how she’d react. Would she be charmed — or spooked? Maybe it was too much, too soon. He wasn’t sure where he stood with Gloria, but he just wanted to ante up. To place his bet. He’d fallen in love with her, and he wanted her to know it.

But first, he wanted to settle the other matter weighing on his mind: the mystery of “Murphy’s Ranch Thursday night 8:00”.

The Santa Monica Public Library was just a couple blocks away. The rain was only a mist as Mike made his way down the street, into the library, and straight to the card catalog. He couldn’t find a listing for “Murphy’s Ranch”. The librarian sensed Mike’s frustration. An older woman in her early 50’s, maybe she knew something the card catalog didn’t.

“Can I help you, sir?”

“Maybe. You have anything here about Murphy’s Ranch?”

“Murphy’s Ranch?”

“That’s right, Murphy’s Ranch. Ring a bell?”

An odd look passed across the librarian’s face. “Murphy’s Ranch. You must be a local, right?”

“I grew up in Malibu. Why?”

She walked to her desk, motioning for Mike to follow. “It was a local story, about ten years ago.” She opened the bottom drawer of her desk and pulled out a stack of folders. “It happened right after Pearl Harbor.”

The librarian found the folder she was looking for, opened it, and picked through a stash of old newspaper articles. “Here it is.” She handed the article to Mike. “Crazy as it sounds,” she said, “Murphy’s Ranch was a Nazi hideout up in the Santa Monica mountains. In Pacific Palisades not far up the coast from here.”

“A Nazi hideout? No kidding.” Mike scanned the yellowing Los Angeles Times article covering the arrest of some Nazi sympathizers on December 8, 1941.

“Most people around here have forgotten all about it, but it caused quite a stir at the time. Of course, it’s not exactly a source of local pride. But I’m Jewish, so it made an impression on me and my family. You don’t forget finding out you had some secret Nazi neighbors lurking deep in a canyon, close to where you live, plotting who knows what.”

The librarian told Mike everything she knew. After Pearl Harbor, the cops arrested some American Nazis in a hidden compound they’d built in Rustic Canyon. They were members of an anti-Semitic, white supremacist group called the Silver Legion of America. They built their hideaway at Murphy’s Ranch before the war as a base for Nazi plots in America.

“They were hoping that after Hitler conquered Europe, he’d invade America – and they’d be waiting to support him. They planned their compound to be self-sustaining,” she explained, “with a water storage tank, a fuel tank, a concrete bomb shelter, cinder block storeroom — the works. Ironically, the main gate was designed by the great Negro architect Paul Williams.”

“He couldn’t have known too much about his clients,” Mike mused.

“It was known as Murphy’s Ranch because the owner of record was a guy named Murphy,” the librarian went on, “The real owners were Winona and Norman Stephens. Some say the Murphy thing was just an alias. The place is still there. Or what remains of it. You’ve got to go down hundreds of concrete stairs to get to it.”

Wow. This was far more than Mike expected. American Nazis living and plotting in a hidden compound in the Pacific Palisades? Hell, Mike was living in Malibu and attending UCLA in Westwood in ‘41 when the cops broke up this crazy fascist fantasy. He’d driven past a secret Nazi camp every day — and he had no idea. But now that he knew a little something about Murphy’s Ranch, “Thursday night 8:00” became a lot more intriguing.

It was 11:15 am. Mike had less than nine hours to learn more about Murphy’s Ranch and find out what, if anything, might be going on in that old Nazi hideout.

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A Report from the Front

CONFRONTING ICE AT BROADVIEW DETENTION CENTER

In these distressing times, it’s important to show up, to bear witness to injustice, to blend your voice with others in protest. Fascism has come to Chicago, wearing a mask, showing no badge, carrying no warrant, riding in an unmarked car, hidden behind smoked glass. 

Yesterday, Saturday October 26th, my wife Victoria and I made our second trip to the Broadview ICE Facility, 12 miles west of downtown Chicago and a 45-minute drive from our home in Evanston. After the elation of being among the 250,000 American patriots at the “No Kings” rally in Grant Park the week before, we felt the need to return to the place where Kristie Noem’s brownshirts were committing their ongoing crimes against our Constitution.

These are the buses in which our unfortunate neighbors will be transported — to where?

On the drive to Broadview, we talked about the ton of money that Trump and his sadistic sidekick Stephen Miller have poured into their mass deportation regime. We wondered how many pardoned January 6th felons, Proud Boys, Oath Keepers, Three Percenters and other right-wing militia thugs jumped at the chance to reap a $50,000 bonus and get paid to brutalize and terrorize marginalized, powerless immigrants – especially black and brown folk.

The ICE goons are in the distance, wearing masks. The County and Broadview officers are in the foreground. It’s an uneasy, forced partnership.

The ICE yahoos get to wear masks, carry guns, use tear gas, hit people with batons, break down doors, and do things no real cop can do. Due process? Not for our American Gestapo. Probable cause? How about just the color of a person’s skin? Show us your papers? I could go on…

When we got to the Broadview ICE facility, the protest location had been changed. The last time we were there, protestors lined one side of the driveway where the masked ICE thugs drove their unmarked cars into the detention center. We were able to confront the ICE goons as they came and went.

We couldn’t see into the various vans, sedans, mini-buses, and all the other smoked-glass vehicles to see who they’d snatched off our neighborhood streets. Transparency? That’s just something Republicans talk about when investigating Democrats. But when Trump, Miller and Noem want to make thousands of people disappear without a warrant? Move on. There’s nothing to see here.

This time, the protest zone had been moved to a spot about a hundred yards from another facility entrance. We could see the ICE vehicles enter and leave – but they didn’t have to drive past us. They didn’t have to look at us. They didn’t have to hear us. They didn’t have to feel our rage. But we expressed ourselves anyway.

Some of our fellow protestors expressed themselves in creative ways. There was the guy with the bald eagle head who wore only his red-white-and-blue underwear and a pair of boots on this cold, autumn day. Three handmaidens stood silent witness. There were lots of funny costumes. How threatening could a man in a pink conical cap riding a unicorn be?

The folks in the middle were the County sheriffs and the Broadview cops. They were there to maintain order – especially the Broadview mayor’s 6:00 pm protest curfew. We tried to remind them that our First Amendment rights to assemble and engage in free speech do not have an expiration date – or hour. We asked them why they don’t wear masks, but the ICE goons do. We asked them if they knew what was going on in the detention center. We asked them, as professional policemen, if they were comfortable protecting guys who were arresting people without a warrant and affording them no due process.

The cops that stood between us and ICE answered none of our questions. But, boy, did they look uncomfortable. They could hear the constant honking as car after car passed nearby, blaring their support of our protest. The people in those cars are their constituents, their fellow citizens — the people they are sworn to serve and protect. Small wonder those cops looked uneasy.

It was well past 6:00 pm when Victoria and I left the protest and went home. I’m not sure how long the stalemate lasted. There were still hundreds of protestors in no mood to leave quietly. Next time, we’ll stay to the bitter end.

Go to Broadview and see for yourself.

Democracy dies in darkness.

 

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My Life in Sketch Comedy: Part Two

Produced, written, and performed by students, The Mee-Ow Show was established at Northwestern University in 1974, two years before my arrival on campus. In those two years, Mee-Ow underwent a swift transition from a wide-ranging, multi-media variety show to a sketch comedy show in The Second City tradition.

I went to McCormick Auditorium at Norris Center in the fall of my sophomore year to see the 1977 Mee-Ow Highlights Show: a collection of the best sketches from the previous two years’ worth of Mee-Ow revues, Spirit My Ass and North by Northwestern. Among the cast were Stew Figa, Jeff Lupetin, Betsy Fink, Suzie Plakson, Tom Virtue, Kyle Hefner, and Dana Olsen. It was the coolest, funniest live performance I’d seen since I hit campus.

The buzz at Norris Center’s McCormick Auditorium that night was electric — and response to the highlights show was wildly enthusiastic. Mee-Ow was the hippest scene on campus – fast-eclipsing the popularity of The Waa-Mu Show: the traditional Northwestern student musical comedy revue first staged in 1929. Waa-Mu seemed crafted to entertain an older audience – something your parents could comfortably enjoy. But Mee-Ow felt more edgy, more subversive, made by-and-for the student body. It struck a resounding chord in me.

Maybe the popularity of The Mee-Ow Show had something to do with the fact that it shared the fresh, irreverent spontaneity of NBC’s new late-night hit Saturday Night Live (then known as NBC’s Saturday Night) – which premiered in 1975, just a year after Mee-Ow made its debut. But I didn’t make that connection at the time because I wasn’t watching much TV. And I had yet to see a show at Second City.

All I knew was that these people, these fellow Northwestern students, were very funny. And polished. And cool. And I was wanted to be a part of that scene. So, I auditioned for the 1978 Mee-Ow Show, directed by North by Northwestern cast member, Kyle Heffner.

I arrived for the audition at the Norris Center student union and met an incoming sophomore, Rush Pearson. Rush, for some reason lost to memory, was walking with a cane — but we vibed right away. He was damned funny. Kinetic. Offbeat. And short like me. We were both full of what our parents would have called “piss and vinegar.” We didn’t know it then, but after the auditions were over and the cast was announced, Rush and I and a taller guy from the Chicago suburbs with one year of Mee-Ow under his belt, Dana Olsen, would form the core of the next three Mee-Ow Shows.

The 1978 Mee-Ow Show: “In Search of the Ungnome.

L to R: Jerry Franklin (hidden), Jane Muller, Dana Olsen, Shelly Goldstein, Bill Wronski, Ken Marks, Tina Rosenberg, Rush Pearson (obscured) & the author.

Directed by Kyle Heffner, the 1978 Mee-Ow Show was the very best thing about my sophomore year – and established the template for much of what I would do for the next decade – and beyond. Kyle set the standard for how an improvisational sketch revue should be created. We’d brainstorm comic premises, then improvise scenes based on those premises, record those improvisations – and then script our sketches based on what we recorded.

There was total freedom as we brainstormed the premises. No idea — no matter how absurd or esoteric or tasteless — was rejected out of hand. Then, Kyle would send us out of the room in groups for a few minutes to work out a rudimentary idea of how to structure a scene from one of these premises.

In our groups, we’d hastily assign characters, devise a basic framework for the scene — and maybe even come up with a button to end it (which was rare). Then, we’d come back into the rehearsal room after ten minutes or so to improvise our scene for the rest of the cast and production crew. Those semi-structured improvisations were recorded and formed the basis for the first-draft scripts of each sketch – which would go through several revisions as we refined each sketch throughout the rehearsal process.

Sketches were living things: always growing, always progressing, getting tighter, more focused in their intent, more streamlined, leading up to a punchier, more trenchant, laughter/shock/surprise-inducing ending.

If a sketch doesn’t end well, then the next sketch starts from a deficit. It must win back the audience after an awkward moment — and that can kill a running order. That’s why, from those days forward, The Practical Theatre Company has never rested until we’ve done our best to satisfactorily “button” a sketch. (Alas, we don’t always succeed.)

But let’s get back to 1978.

Improvisation is where it starts. And where it ends. But there’s lots of disciplined work between the beginning and end.

We’d commit our scripts to memory, so we had the confidence to overcome mistakes. In fact, reacting to mistakes was always an opportunity for a moment of unexpected, improvised fun with the audience. Confident in the through-line of the sketch and the final button, we could have some improvisational fun when the moment called for it.

Kyle also had his Golden Rules. Knowing that too many improvisations ended with a knee-jerk reliance on violence and death, he declared that violence had to happen offstage. That edict, alone, would set our work apart from so many improv groups that would follow. Death and violence were no quick and easy way out.

Kyle also encouraged us to seek laughs above the belt – and not play to the lowest common denominator. Cursing and vulgarity were employed at a minimum. These were lessons I took to heart. And have tried to observe ever since.

That year, we were also blessed to have a genuine musical genius in our cast: piano virtuoso, Larry Schanker. Larry was just a freshman – but his talent was otherworldly. When Rush and I knocked out some chords and lyrics – Larry turned them into a Broadway anthem. And his pre-show overtures were worth the price of admission. Okay, so tickets were only two bucks. Larry’s talent made the show a hit before the cast came onstage. And he’s still doing it today.

Rush and I shocked the crowd with a sketch called “Biafran Restaurant”. It was a moment in time. We were clad in our underwear, performing a sketch that juxtaposed a terrible African famine with a middle class American dining experience: balancing precariously on the comedic edge as we reminded the audience of an ongoing tragedy. These weren’t easy laughs. And it was glorious. We felt like we were pushing the envelope. And maybe we were. We were college sophomores – just starting to explore our comedic horizons.

I loved everything about the Mee-Ow Show process: the music, the comedy, the late nights scripting sketches at Rush or Dana’s apartments after rehearsals. And when we performed the shows and the packed crowds laughed every night, I was hooked. I was home.

I wanted more. And luckily, I got it.

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We’re Back.

Tickets on sale now. https://buytickets.at/practicaltheatre

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One more time, it’s The Practical Theatre Company’s “Ho-Ho-Holiday Revue!” One Night Only, February 4th – and on Live-Stream!

Due to popular demand, The PTC is bringing back its “Ho-Ho-Holiday Revue” for one night only, with a performance on Sunday, February 4th at 7:00 pm. This event will also be available for remote viewing via Livestream. Tickets range from $25 to $35 for theatre and tables seats, with Livestream available for $10. 

The “Ho-Ho-Holiday Revue” is staged in a classic variety show format in the PTC’s inimitable style: a throwback to the TV variety shows of the 1960s and early ’70s, featuring sketch comedy, improvisation, stand-up comedy, and music in an evening of sophisticated adult fun. The show touches on everything from the current political scene to mother-daughter relationships, the Greek gods, the Titan submersible disaster, the Supreme Court, Judge Judy vs. Donald Trump, and some classic PTC sketches. Plus, lots of upbeat, soulful, music from Steve Rashid & the Studio5 All-Stars.

Alcoholic beverages are available for purchase at the show.

The show stars Barrosse, Victoria Zielinski, and Dana Olsen — backed by a jazz quartet led by the PTC’s longtime musical director Steve Rashid. Adding to the fun are vocalist Ms. Maura and veteran stand-up comedian Emilia Barrosse, whose TV writing credits include HBO’s “VEEP” and TruTV’s “Tacoma F.D.”

Tickets are now on sale at: http://www.studio5.dance/calendar

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The Holiday Fun starts this Week!

Just 5 more days until the First Preview of the Practical Theatre Company’s “Ho-Ho-Holiday Revue!” The fun is just about to begin! https://www.tickettailor.com/events/practicaltheatre

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Just Two Weeks Until the Practical Theatre Company’s “Ho-Ho-Holiday Revue” Opens at Studio5 in Evanston!

For tickets, go to: https://www.tickettailor.com/events/practicaltheatre/1031370

The Practical Theatre’s Musical director Steve Rashid, Emilia Barrosse, Dana Olsen, Victoria Zielinski and PTC Artistic Director Paul Barrosse can’t wait to entertain you at Studio5 in Evanston for the holidays!

Want to know how Charlie Brown is feeling nearly 60 years after “A Charlie Brown Christmas” first aired on television — back when there were only 3 networks? Here’s a hint. He’s worried about the state of American democracy. (In a funny way, of course.)

Speaking about the state of American democracy — how about the state of the U.S. Supreme Court? The PTC’s “Ho-Ho-Holiday Revue” features the court’s all-female liberal minority singing a classic Motown melody about their resolve to be a check on the conservative majority. (Don’t mess with these ladies!)

Of course, the gods must weigh in over the holidays — and Zeus, the supreme master of the universe, is in a holiday funk. Why should the almighty Olympian Zeus be depressed during the Christmas holidays? Come to Studio5 to find out!

See you all at Studio5 this holiday season for The Practical Theatre Company’s “Ho-Ho-Holiday Revue!” Get your tickets at: https://www.tickettailor.com/events/practicaltheatre/1031370

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It’s a HO-HO-HOLIDAY REVUE! Practical Theatre Fun at Studio5 in Evanston!

Tickets are now on sale for The Practical Theatre Company’s latest comedy revue — another in a series of nearly-annual holiday presentations. For tickets, click here. Performances at Studio5 run from Dec. 28 to 31 and Jan. 4 to 6.

The Practical Theatre’s “Ho-Ho-Holiday Revue” is a throwback to the TV variety shows of the 1960s and early ’70s, featuring sketch comedy, improvisation, stand-up comedy, and music in an evening of sophisticated adult fun. Tickets range from $30 to $45, and seats for the New Year’s Eve show range from $45 to $55.

The show features a mix of comedy sketches, original satirical songs, and holiday standards presented like you’ve never heard them before – and will touch on everything from pickle-ball mania and the current political scene to mother-daughter relationships, the Greek gods, the Titan submersible disaster, the Supreme Court, “thoughts and prayers,” Judge Judy vs. Donald Trump, and select, classic PTC sketches. Plus, lots and lots of upbeat, soulful, holiday music that will make it hard to resist dancing in the aisles.

Alcoholic beverages are available for purchase at all shows.

The show stars Barrosse, his wife and fellow PTC member Victoria Zielinski, and screenwriter and fellow Northwestern alum Dana Olsen. The cast will be backed by the jazz quintet, The Studio5 All-Stars, led by the PTC’s longtime musical director Steve Rashid. Adding to the fun are blues and soul vocalist Ms. Maura and veteran stand-up comedian Emilia Barrosse, whose TV writing credits include HBO’s “VEEP” and TruTV’s “Tacoma F.D.”

It’s a Ho-Ho-Holiday time, folks!

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